Sabtu, 09 Agustus 2014

~ Download Ebook All You That Labor: Religion and Ethics in the Living Wage Movement (Religion and Social Transformation), by C. Melissa Snarr

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“Come to me, all you that labor and are heavy laden, and I will give you rest.”Mathew 11:28 (AKJV)

In the early 1990s, a grassroots coalition of churches in Baltimore, Maryland helped launch what would become a national movement. Joining forces with labor and low-wage worker organizations, they passed the first municipal living wage ordinance. Since then, over 144 municipalities and counties as well as numerous universities and local businesses in the United States have enacted such ordinances.

Although religious persons and organizations have been important both in the origins of the living wage movement and in its continuing success, they are often ignored or under analyzed. Drawing on participant observation in multiple cities, All You That Labor analyzes and evaluates the contributions of religious activists to the movement. The book explores the ways religious organizations do this work in concert with low-wage workers, the challenges religious activists face, and how people of faith might better nurture moral agency in relation to the political economy. Ultimately, C. Melissa Snarr provides clarity on how to continue to cultivate, renew, and expand religious resources dedicated to the moral agency of low-wage workers and their allies.

  • Sales Rank: #2050878 in Books
  • Published on: 2011-08-22
  • Released on: 2011-08-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .63" w x 5.98" l, .92 pounds
  • Binding: Hardcover
  • 217 pages

Review

“This superb book is a model of social justice scholarship, reflecting C. Melissa Snarr's longtime activism in the living wage movement and her astute sociological and social ethical understanding of the religious activist currents within this movement.”

-Gary Dorrien,Reinhold Niebuhr Professor of Social Ethics, Union Theological Seminary, Professor of Religion

About the Author
C. Melissa Snarr is Associate Professo of Ethics & Society and Associate Dean for Academic Affairs at Vanderbilt University Divinity School.

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Kamis, 07 Agustus 2014

* Ebook Download Controversies in Political Economy, by Geoffrey C. Harcourt

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  • Sales Rank: #6584294 in Books
  • Brand: Brand: New York University Press
  • Published on: 1986-06-01
  • Number of items: 1
  • Binding: Hardcover
  • 293 pages
Features
  • Used Book in Good Condition

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^ PDF Download Talking Trash: The Cultural Politics of Daytime TV Talk Shows, by Julie Manga

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When The Phil Donahue Show topped the ratings in 1979, it ushered in a new era in daytime television. Mixing controversial social issues, light topics, and audience participation, it created a new genre, one that is still flourishing, despite being harshly criticized, over two decades later. Now, the daytime TV landscape is littered with talk shows. But why do people watch these shows? How do they make sense of them? And how do these shows affect their viewers' sense of what constitutes appropriate public debate?

In Talking Trash, Julie Engel Manga offers a fascinating exploration of these questions and reveals the wide range of reasons viewers are drawn to “trash talk.” Focusing on such shows as Oprah!, Jerry Springer, Ricki Lake, Jenny Jones, and Maury Povitch, and drawing upon interviews with women who watch these shows, Talking Trash is the first examination of the talk show phenomenon from the viewers’ perspective. In taking this approach, Manga is able to understand what talk shows mean to the women who watch them. And by refusing to judge either the shows or their viewers as good or bad, she is able to grasp how viewers relate to these shows-as escape, entertainment, uninhibited public discourse, or an accurate reflection of their own hardships and heartaches. Manga concludes that while the form of “trash-talk” shows may be relatively new, the socio-cultural experience they embody has been with us for a long time.

Absorbing, entertaining, and keenly perceptive, Talking Trash illuminates the complex viewer response to “trash talk” and examines the cultural politics surrounding this wildly controversial popular phenomenon.

  • Sales Rank: #5946501 in Books
  • Brand: Brand: NYU Press
  • Published on: 2003-01-01
  • Released on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.18" h x .66" w x 6.02" l, .82 pounds
  • Binding: Paperback
  • 255 pages
Features
  • Used Book in Good Condition

Review

“An important contribution to our understanding of the talkshow genre and its cultural political function.”
-American Journal of Sociology



“Provides a stunningly effective analysis of the diverse ways in which viewers make sense of the contentious culture of TV talk shows. The result is a first-rate sociological contribution to the study of popular culture, mass media, and public discourse. Attentive to both personal experience and complex vectors of power, Talking Trash involves a subtle and challenging interpretation of the transgressive lure, structural limitations, and utopian yearnings underlying this controversial realm of televisionary entertainment.”
-Stephen J. Pfohl,author of Images of Deviance and Social Control: A Sociological History



“A cogent analysis of our culture.”
-The Times



“A wide-ranging exploration of some key theoretical issues in cultural sociology centering on subjectivity, sense-making, and cultural hierarchy.”
-Contemporary Sociology

About the Author

Julie Engel Manga is a Senior Research Associate at The Center for Corporate Citizenship at Boston College.

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Rabu, 06 Agustus 2014

^ Ebook Free Drugs in America: A Documentary History, by David F. Musto

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Most Americans would be surprised to learn that large quantities of beer were brought over on the Puritan ships and that the hallowed Puritans were fond of drink. How many today realize that hemp was once one of our most lucrative cash cropsencouraged by President John Adams and promoted by the Agriculture department? Or that cocaine, opium and heroin had several waves of popularity in this century and the last? Drugs and alcohol have been with us from the start. So have attempts to control or eliminate their use. In the first anthology of its kind, renowned drug policy expert David Musto chronicles the rise and fall and rise again of the most popular mind altering substances in the Unites States: alcohol, marijuana, cocaine and opiates.

In the section on alcohol we hear the Reverend Lyman Beecher, prominent radical abolitionist and father of Harriet Beecher Stowe, thundering against the evils of alcoholin 1826. We read medical documents that show how the first stirrings of concern about about what is now termed fetal-alcohol syndrome in 1910 turned public opinion against drinking and helped move the country toward Prohibition. The sections on illegal drugs contain surprises as well.

With accessible, jargon-free introductions this anthology puts drug and alcohol use at the center of American culture. At this critical point in the "war on drugs" if we do not appreciate our drug and alcohol history we may become captive to the powerful emotions that lead to draconian repression, exaggeration, or apathy and silence.

  • Sales Rank: #6571504 in Books
  • Brand: Brand: NYU Press
  • Published on: 2002-07-28
  • Released on: 2002-07-28
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.28" h x 7.10" w x 10.30" l, 2.70 pounds
  • Binding: Hardcover
  • 432 pages
Features
  • Used Book in Good Condition

Review

"Anyone with an interest in social history will find this book fascinating. . . . A valuable resource and an interesting read."
— Drugs and Alcohol Review

-

"The sermons, speeches, medical arguments, and policy papers gathered here adequately convey changing attitudes toward these sometimes licit, sometimes illicit substances. For classes in public policy, reform, or public health or for individuals interested in these areas, this book will be exceedingly informative and useful."
—Journal of the History of Medicine

-

"It is a powerful, clearly written, and well-researched reference on the history of drugs in the U.S...Readers will learn much about the temperance movements and the introduction of cocaine into the American market, including coca Cola products."
—Choice

-

"This volume is an ambitious attempt to provide, through a collection of primary sources, an overview of the US experience with drugs and drug control. . . . Drugs in America is a splendidly edited volume, of interest both to the substance abuse specialist and the general reader."
—Jama: Journal of the American Medical Association

-

About the Author

David F. Musto M.D. is Professor of the History of Medicine and Child Psychiatry at the Yale School of Medicine and Lecturer of History and American Studies at Yale University. He is the author of The American Disease: Origins of Narcotic Control.

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Minggu, 03 Agustus 2014

## PDF Download Losing Our Heads: Beheadings in Literature and Culture, by Regina Janes

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Losing Our Heads: Beheadings in Literature and Culture, by Regina Janes

What is the fascination that decollation holds for us, as individuals and as a culture? Why does the idea make us laugh and the act make us close our eyes? Losing Our Heads explores in both artistic and cultural contexts the role of the chopped-off head. It asks why the practice of decapitation was once so widespread, why it has diminished—but not, as scenes from contemporary Iraq show, completely disappeared—and why we find it so peculiarly repulsive that we use it as a principal marker to separate ourselves from a more “barbaric”or “primitive” past?

Although the topic is grim, Regina Janes’s treatment and conclusions are neither grisly nor gruesome, but continuously instructive about the ironies of humanity’s cultural nature. Bringing to bear an array of evidence, the book argues that the human ability to create meaning from the body motivates the practice of decapitation, its diminution, the impossibility of its extirpation, and its continuing fascination. Ranging from antiquity to the late nineteenth-century passion for Salomé and John the Baptist, and from the enlightenment to postcolonial Africa’s challenge to the severed head as sign of barbarism, Losing Our Heads opens new areas of investigation, enabling readers to understand the shock of decapitation and to see the value in moving past shock to analysis. Written with penetrating wit and featuring striking illustrations, it is sure to captivate anyone interested in his or her head.

  • Sales Rank: #1898194 in Books
  • Published on: 2005-08-01
  • Released on: 2005-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .68" w x 6.00" l, .81 pounds
  • Binding: Paperback
  • 255 pages

Review

“Why are beheadings so captivating in society and literature? Losing Our Heads: Beheadings In Literature And Culture tackles a gruesome topic, providing a healthy dose of anthropological, medical, social and literary insight to accounts of beheadings from antiquity to modern times.”:
-Bookwatch



“To read Losing Our Heads is to experience that same frisson Regina Janes ascribes to the guillotine—a powerful and seductive and (excuse me) heady combination of gossip and scholarship.”:
-Kathryn Davis,author of Versailles

About the Author

Regina Janes is professor of English at Skidmore College. She is the author of Gabriel Garcia Marquez: Revolutions in Wonderland and One Hundred Years of Solitude: Modes of Reading.

Most helpful customer reviews

3 of 4 people found the following review helpful.
A healthy dose of anthropological, medical, social and literary insight to accounts of beheadings from antiquity to modern times
By Midwest Book Review
Why are beheadings so captivating in society and literature? Losing Our Heads: Beheadings In Literature And Culture tackles a gruesome topic, providing a healthy dose of anthropological, medical, social and literary insight to accounts of beheadings from antiquity to modern times. College-level audiences will welcome Professor Janes' studies analysis of decapitation over history and in literature. One would anticipate gruesome details; but the focus on more than physical details makes for an intriguing discussion.

0 of 1 people found the following review helpful.
A healthy dose of anthropological, medical, social and literary insight to accounts of beheadings from antiquity to modern times
By Midwest Book Review
Why are beheadings so captivating in society and literature? Losing Our Heads: Beheadings In Literature And Culture tackles a gruesome topic, providing a healthy dose of anthropological, medical, social and literary insight to accounts of beheadings from antiquity to modern times. College-level audiences will welcome Professor Janes' studies analysis of decapitation over history and in literature. One would anticipate gruesome details; but the focus on more than physical details makes for an intriguing discussion.

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* Ebook Free Sounds of Belonging: U.S. Spanish-language Radio and Public Advocacy (Critical Cultural Communication), by Dolores Ines Casillas

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Sounds of Belonging: U.S. Spanish-language Radio and Public Advocacy (Critical Cultural Communication), by Dolores Ines Casillas

Winner, Book of the Year presented by the American Association of Hispanics in Higher Education

Honorable Mention for the 2015 Latino Studies Best Book presented by the Latin American Studies Association

The last two decades have produced continued Latino population growth, and marked shifts in both communications and immigration policy. Since the 1990s, Spanish- language radio has dethroned English-language radio stations in major cities across the United States, taking over the number one spot in Los Angeles, Houston, Miami, and New York City. Investigating the cultural and political history of U.S. Spanish-language broadcasts throughout the twentieth century, Sounds of Belonging reveals how these changes have helped Spanish-language radio secure its dominance in the major U.S. radio markets.   Bringing together theories on the immigration experience with sound and radio studies, Dolores Inés Casillas documents how Latinos form listening relationships with Spanish-language radio programming. Using a vast array of sources, from print culture and industry journals to sound archives of radio programming, she reflects on institutional growth, the evolution of programming genres, and reception by the radio industry and listeners to map the trajectory of Spanish-language radio, from its grassroots origins to the current corporate-sponsored business it has become. Casillas focuses on Latinos’ use of Spanish-language radio to help navigate their immigrant experiences with U.S. institutions, for example in broadcasting discussions about immigration policies while providing anonymity for a legally vulnerable listenership. Sounds of Belonging proposes that debates of citizenship are not always formal personal appeals but a collective experience heard loudly through broadcast radio.

  • Sales Rank: #1388829 in Books
  • Published on: 2014-10-17
  • Released on: 2014-10-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .59" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 224 pages

Review
“Sounds of Belonging provides insightful, original research on important developments in Spanish-language radio and makes a unique contribution to the field. Casillasenriches our understanding of U.S. radio history and Latino culture.”-Joy Hayes,author of Radio Nation: Communication, Popular Culture, and Nationalism in Mexico

“Methodically argued and supported with rare archival detail, Sounds of Belonging provides a sorely needed account of U.S. Mexican community radio and Chicano-based Spanish-language radio. Beautifully written and thoroughly researched, Sounds of Belonging makes a significant intervention into Latina/o media studies and media history more generally.”-Isabel Molina-Guzman,author of Dangerous Curves: Latina Bodies in the Media

"Casillas offers an incisive analysis of the origins and evolution of Spanish-language radio in the US and its key role in shaping the public discourse about citizenship and immigration issues in the 20th century. With precision and engaging storytelling, Casillas describes how radio became a critical medium that gave Latino/as and Chicano/as access to a public forum about matters that affected them directly in a country where many were socially and culturally disenfranchised….This book is a much-needed contribution to conversations about the complex dynamics at the intersections of mass media, language, race, and social justice issues."-Choice

“Dolores Ines Casillas’s important study sheds new light on Spanish-language radio, noting how it allows marginalized Latinos to claim a place within a hostile environment.”-The Journal of American History

About the Author
Dolores Inés Casillas is Assistant Professor in Chicana and Chicano Studies and a faculty affiliate of Film & Media Studies at the University of California, Santa Barbara. 

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0 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
Outstanding examination of how our Latinidad is situated!

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Sabtu, 02 Agustus 2014

> Free Ebook Anthem: Social Movements and the Sound of Solidarity in the African Diaspora, by Shana L. Redmond

Free Ebook Anthem: Social Movements and the Sound of Solidarity in the African Diaspora, by Shana L. Redmond

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Anthem: Social Movements and the Sound of Solidarity in the African Diaspora, by Shana L. Redmond

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Anthem: Social Movements and the Sound of Solidarity in the African Diaspora, by Shana L. Redmond

For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this “sound franchise” contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I.     Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world—from James Weldon Johnson’s “Lift Ev’ry Voice and Sing” that mobilized the NAACP to Nina Simone’s “To Be Young, Gifted & Black” which became the Black National Anthem of the Congress of Racial Equality (CORE)—Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation.

  • Sales Rank: #260396 in Books
  • Published on: 2013-12-06
  • Released on: 2013-12-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .95 pounds
  • Binding: Paperback
  • 356 pages

Review
"An extraordinary, innovative and generative book. Shana Redmond reveals how musical anthems served as powerful sources of inspiration and as crucial mechanisms for social mobilization in twentieth century Black freedom struggles around the world. She presents fascinating portraits of individual performer-activists including Paul Robeson, Miriam Makeba, and Nina Simone, while delineating the largely unknown social histories of significant songs such as "Lift Every Voice and Sing," "Old Man River," "We Shall Overcome," and "Nkosi Sikilel' iAfrika." More than any previous scholar, Redmond shows how musical practices and performances enabled people of African origin all around the world to establish themselves as an aggrieved and insurgent people struggling for freedom and justice."-George Lipsitz,author of How Racism Takes Place

“Anthem is truly a tour de force. Deeply-researched, brilliantly conceived, and beautifully written, the book reveals how ‘anthems’ register both a collective sense of history and a vision of the future for aggrieved groups—not just people of African-descent. Anthem will stand as the model for transnational scholarship for years to come.”-Robin D. G. Kelley,author of Africa Speaks, America Answers: Modern Jazz in Revolutionary Times

"Anthem is an impressively rich analysis of the songs that gave rise to and developed out of the fraught history of diasporic political movements.  Redmond's blend of musicology, political history, and social engagements establishes the anthem as a densely layered text, one that invites close reading but whose ultimate meaning can only be understood in the context of its reconstructed sociopolitical moment."-MELUS

"Anthem succeeds in foregrounding the significance of music as an oral tradition, and its ability to move people who may not be literate in the written word.  Redmond ably traces music’s elemental power to move humans, and how it connects people to ideas, movements, and other activists.  In general, the book succeeds admirably in making readers think about these songs in new ways.”-American Historical Review

"In this important book, Redmond illuminates the ways that songs function as 'political acts of performance' . . . . Listen to the music as you read to appreciate even further this deeply intelligent, innovative, richly interdisciplinary, and thought-provoking book."-The Journal of American History

About the Author

Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer.

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3 of 5 people found the following review helpful.
Excellent read!
By Riley Snorton
Beautifully written and well researched, Redmond's Anthem speaks (or perhaps sings) into the gaps of several fields of research. Bridging sound studies, musicology, and African diaspora studies, among others, Anthem travels across multiple sites and sounds to tell the story of black resistance and solidarity in the 20th Century.

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