Kamis, 10 September 2015

## Ebook Download Men and Women Adrift: The YMCA and the YWCA in the CityFrom Brand: NYU Press

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Men and Women Adrift: The YMCA and the YWCA in the CityFrom Brand: NYU Press

The YMCA and the YWCA have been an integral part of America's urban landscape since their emergence almost 150 years ago. Yet the significant influence these organizations had on American society has been largely overlooked. Men and Women Adrift explores the role of the YMCA and YWCA in shaping the identities of America's urban population.

Examining the urban experiences of the single young men and women who came to the cities in search of employment and personal freedom, these essays trace the role of the YMCA and the YWCA in urban America from the mid-nineteenth century to the present. The contributors detail the YMCA's early competition with churches and other urban institutions, the associations' unique architectural style, their services for members of the working class, African Americans, and immigrants, and their role in defining gender and sexual identities.

The volume includes contributions by Michelle Busby, Jessica Elfenbein, Sarah Heath, Adrienne Lash Jones, Paula Lupkin, Raymond A. Mohl, Elizabeth Norris, Cliff Putney, Nancy Robertson, Thomas Winter, and John D. Wrathall.

  • Sales Rank: #3170275 in Books
  • Brand: Brand: NYU Press
  • Published on: 1997-07-01
  • Released on: 1997-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .83" w x 6.00" l, 1.00 pounds
  • Binding: Paperback
  • 332 pages
Features
  • Used Book in Good Condition

About the Author

Nina Mjagkij is Associate Professor of History and Director of African-American Studies at Ball State University. She is the author of Light in the Darkness: African Americans and the YMCA, 1852-1946.



Margaret Spratt is Associate Professor of History at California University of Pennsylvania and Research Associate Professor at the University of Pittsburgh.

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Minggu, 06 September 2015

# Download Playing it Safe: How the Supreme Court Sidesteps Hard Cases and Stunts the Development of Law, by Lisa Kloppenberg

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Playing it Safe: How the Supreme Court Sidesteps Hard Cases and Stunts the Development of Law, by Lisa Kloppenberg

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Playing it Safe: How the Supreme Court Sidesteps Hard Cases and Stunts the Development of Law, by Lisa Kloppenberg

It is one of the unspoken truths of the American judicial system that courts go out of their way to avoid having to decide important and controversial issues. Even the Supreme Court from which the entire nation seeks guidance frequently engages in transparent tactics to avoid difficult, politically sensitive cases.

The Court's reliance on avoidance has been inconsistent and at times politically motivated. For example, liberal New Deal Justices, responding to the activism of a conservative Court, promoted deference to Congress and the presidency to protect the Court from political pressure. Likewise, as the Warren Court recognized new constitutional rights, conservative judges and critics praised avoidance as a foundational rule of judicial restraint. And as conservative Justices have constituted the majority on the Court in recent years, many liberals and moderates have urged avoidance, for fear of disagreeable verdicts.

By sharing the stories of litigants who struggled unsuccessfully to raise before the Supreme Court constitutional matters of the utmost importance from the 1970s-1990s, Playing it Safe argues that judges who fail to exercise their power in hard cases in effect abdicate their constitutional responsibility when it is needed most, and in so doing betray their commitment to neutrality. Lisa Kloppenberg demonstrates how the Court often avoids socially sensitive cases, such as those involving racial and ethnic discrimination, gender inequalities, abortion restrictions, sexual orientation discrimination, and environmental abuses. In the process, the Court ducks its responsibility to check the more politically responsive branches of government when "majority rule" pushes the boundaries of constitutional law. The Court has not used these malleable doctrines evenhandedly: it has actively shielded states from liability and national oversight, and aggressively expanded standing requirements to limit the role of federal courts.

  • Sales Rank: #2809072 in Books
  • Published on: 2001-08-01
  • Released on: 2001-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x .98" w x 6.38" l, 1.24 pounds
  • Binding: Hardcover
  • 320 pages

Review

"A terrific examination of an unfortunately overlooked topic. What the Supreme Court doesn't decide is often as important as what it resolves. Professor Kloppenberg carefully reviews the way in which the Supreme Court has avoided crucial constitutional issues in areas ranging from environmental cases to race and gender discrimination. The book raises profound questions about proper role and procedures for the Supreme Court to follow."

-Erwin Chemerinsky,USC Law Center

"Kloppenberg has provided the first sustained attack on the long-standing judicial practice of avoidance in at least a generation...her argument deserves careful attention."

-Cass Sunstein,New Republic, 10/01

"By drawing our attention to what the Court does ‘not' decide—and why—Lisa Kloppenberg enlarges our understanding of that institution. No student of the Supreme Court or of American constitutional law can afford to neglect the avoidance and techniques that Kloppenberg so ably describes or the dangers she sees in their overuse."

-John Jeffries,Dean, University of Virginia School of Law

"Supreme Court watchers have always known that the Court can be an artful dodger when it comes to hard cases. Lisa Kloppenberg has pulled together a startling array of such cases and demonstrates what a high price the country pays when the Court decides not to decide. Such dull legal concepts as ‘abstention', ‘standing', and ‘federalism' take on flesh and blood dimensions when Kloppenberg shows how the Court uses those claims to thwart the claims of environmentalists, women and racial minorities. It is full of insights into the way the Court bobs and weaves its way around tough questions. And what's more, it is a good read."

-Abner Mikva,Professor of Law, University of Chicago

"Although there is a great deal of attention to the cases that the Supreme Court decides, there is unfortunately much less focus on what the Supreme Court does not decide, why it does not decide what it does not decide, and what the social and political implications are of the Court's frequent unwillingness to address hard and important issues. Lisa Kloppenberg has been one of our most perceptive analysts of Supreme Court avoidance of decision, and this book should be required reading for all who wish to understand the interplay between technical issues of Supreme Court jurisdiction and the substantive implications of the Court's practice of often avoiding hard cases."

-Frederick Schauer,Harvard University

About the Author

Lisa A. Kloppenberg is Associate Professor of Law and Director of the Appropriate Dispute Resolution Program at the University of Oregon.

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2 of 2 people found the following review helpful.
Doctrines of avoidance of judical rulings on the merits
By David W. Floren
As an editorial assistant to Professor Kloppenberg, I can say with some authority that this book occupies a unique niche. It takes a story-line approach (appealing to professional and lay readers alike) to elucidating various techniques used by the U.S. Supreme Court to avoid ruling on the merits of cases arguably well-suited to the development of a more useful, merits-based precedent.

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Jumat, 04 September 2015

** Free PDF Rebels at the Bar: The Fascinating, Forgotten Stories of America's First Women Lawyers, by Jill Norgren

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Rebels at the Bar: The Fascinating, Forgotten Stories of America's First Women Lawyers, by Jill Norgren

Long before Sandra Day O'Connor and Ruth Bader Ginsberg earned their positions on the Supreme Court, they were preceded in their goal of legal excellence by several intrepid trailblazers.  In Rebels at the Bar, prize-winning legal historian Jill Norgren recounts the life stories of a small group of nineteenth century women who were among the first female attorneys in the United States. Beginning in the late 1860s, these determined rebels pursued the radical ambition of entering the then all-male profession of law. They were motivated by a love of learning. They believed in fair play and equal opportunity. They desired recognition as professionals and the ability to earn a good living.  Through a biographical approach, Norgren presents the common struggles of eight women first to train and to qualify as attorneys, then to practice their hard-won professional privilege. Their story is one of nerve, frustration, and courage. This first generation practiced civil and criminal law, solo and in partnership. The women wrote extensively and lobbied on the major issues of the day, but the professional opportunities open to them had limits. They never had the opportunity to wear the black robes of a judge. They were refused entry into the lucrative practices of corporate and railroad law. Although male lawyers filled legislatures and the Foreign Service, presidents refused to appoint these early women lawyers to diplomatic offices and the public refused to elect them to legislatures.  Rebels at the Bar expands our understanding of both women’s rights and the history of the legal profession in the nineteenth century. It focuses on the female renegades who trained in law and then, like men, fought considerable odds to create successful professional lives. In this engaging and beautifully written book, Norgren shares her subjects’ faith in the art of the possible. In so doing, she ensures their place in history.  

  • Sales Rank: #238796 in Books
  • Published on: 2013-04-15
  • Released on: 2013-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .81" w x 5.98" l, 1.26 pounds
  • Binding: Hardcover
  • 286 pages

Review
"Norgren has assembled and rendered accessible an impressive array of pioneering women." -Women's Review of Books

 “Norgren’s stories show that the fight for women’s equality can never be defined by a single, central goal, for while these women’s lives were deeply entwined with the fight for suffrage, their efforts were fueled by and helped to spark reform in a wide range of social justice movements. These biographies, with all their intimate detail and individuality, also reminds us that, while feminist efforts are often characterized as a series of overarching waves, bounded by certain moments in time, the fight for equality is not propelled by some tidal force but by the resolve and practice of women and progressive men who are linked across history by their actions.”-, Journal of American Culture

"Her history and biography have produced a valuable study that transcends disciplinary boundaries and should have wide appeal outside academia."-,Law and Society Review

"Bold, brave women with musical old-fashioned names—Myra, Clara, Belva, Lelia, Lavinia—are among the subjects of this lively and readable account of the first women lawyers. Some were famous in their times, but all were forgotten until recently when female attorneys started seeking their history, and found a Boswell in Jill Norgren."-Barbara Babcock,Judge John Crown Professor of Law, Emerita, Stanford Law School

"Even after practicing law for 30 years I found this book fascinating."-Joan M. Burda, NY Journal of Books

"engaging and beautifully written book"-,Ms. JD Book Series

"Rebellion was not on the minds of the extraordinary, first-generation female lawyers portrayed in Jill Norgren's engaging history, Rebels at the Bar...More than just a biography, Norgren's book also provides a snapshot of legal history and the professionalization of legal practice in the United States....Norgren's thorough footnotes and extensive bibliography attest to the depth of research informing the book.  She places the lives of these women in the context of nineteenth century America, where they attempted to build their practices and institute social and legal reforms."-Christine K. Dulaney,Law Library Journal

"Shedding light on a little-known chapter of American history and the women who blazed the trail for today's attorneys, this will be most enjoyed by students of history, women's studies, and law, along with interested general readers."-,Library Journal

"Intriguing and enriching, Norgren’s book on the first generation of women lawyers in America offers an in-depth look at the careers of eight notable women...this intersection of legal and feminist history is unquestionably inspiring."-,Publishers Weekly

"Norgren's book will appeal to readers seeking to imagine the lives and work of the earliest women in the legal profession.  By portraying women lawyers as ambitious human beings with complicated personal lives and real economic needs, Norgren enables these women's histories to speak to some of our persisting questions about gender, work, family, and professionalism.  The book will make a good gift for some aspiring lawyers, helping them see into the struggles of earlier generations and questioning some of their assumptions about the entry of women into the legal profession."-Karen Leroux,Judicature

"I read these stories of the first generation of women lawyers with awe and gratitude. We are all in their debt—and in Jill Norgren's, too, for recovering this forgotten history."-Linda Greenhouse,Knight Distinguished Journalist in Residence and Joseph M. Goldstein Senior Fellow, Yale Law School

"the stories of the lives of this first generation of women lawyers are so rich that they speak for themselves"-,The Federal Lawyer

"In this pathbreaking account, Rebels at the Bar enlarges our understanding of women’s entrance to the legal profession. With telling detail and lively prose, Jill Norgren profiles the courage, resilience, and challenges of America’s first women lawyers. This is a compelling story and essential reading for anyone interested in women’s role in legal history."-Deborah L. Rhode,Ernest W. McFarland Professor of Law, Stanford Law School

"Rebels at the Bar is not just a story of movement.  It is the story of individuals and the individual sacrifice they made in order to become lawyers.  Next time I have a student who complains about a B+, I plan to recite one of these stories.  Success comes with nerve and sacrifice.  These women had both."-Laurie L. Levenson ,LA Review of Books

"I have read Ms. Norgren's book with profound gratitude. Being reminded of the brave, intelligent, controversial women who have broke through many barriers a good hundred years before the 1950's has been a fascinating experience."-,Senior Women Web

 "[A] conscientious history of the country’s first female lawyers...The women who went first — whose stories Norgren so capably tells — matter deeply to the ones who came after."-Emily Bazelon,The Washington Post

About the Author

Jill Norgren is Professor Emerita of Political Science at John Jay College, and the Graduate Center of The City University of New York. She is the award winning author of many articles and books, including Belva Lockwood: The Woman Who Would Be President (NYU Press, 2007); The Cherokee Cases; and American Cultural Pluralism and Law (with Serena Nanda).

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4 of 4 people found the following review helpful.
Rebels at the Bar: Fascinating, forgotton stories brought to life
By bookworm
Jill Norgren's newest book, Rebels at the Bar, about the pathbreaking accomplishments of the first women lawyers in the United States, more than lives up to its provocative title and engaging cover, a painting of Portia in legal robes. Until the late l9th century there were no women lawyers, and there were many obstacles in the way of women attending law schools, getting admitted to the bar, practicing law, particularly appearing in court, sitting on juries, or influencing public policy regarding the law. Norgren assembles a widely diverse cast of characters, including the women lawyers themselves, and the men who helped them - surprisingly, there were many, in some cases husbands and fathers,but also men who distained them and got in the way, with public condemnations about their "mental unfitness" for the law and the charge that they would make legal practice "too emotional."

In examining the accomplishments and careers of these little known women, including Belva Lockwood, the first woman to be admitted to the U.S. Supreme Court bar - and to ride a bicycle in Washington, D.C. (actually a three wheeler)- Norgren brings to life the work and personal lives, legal practice, and political activism of these fascinating, and largely forgotten women. Since women did not yet have the vote, many of these women combined their law practice with public appearances and writing, both legal texts and popoular journalism, in support of women suffrage. Perhaps surprisingly, these women were highly motivated not just by their high ideals but also by the desire to make a good living and pave the way for others to do the same. Many of the women focused on policy change, such as incorporating a public defender into the justice system, and particularly changes regarding women's control over their own property; many also supported the temperance movement and did charitable work for poor women, children, but also, men in prison. These early women lawyers formed important social networks and official societies, through which they pursued the various goals.

Norgren has a great sense of humor, as did many of her subjects; in spite of the photographs picturing them in buttoned up Victorian dress, most felt comfortable throwing zingers at their opponents in public lectures and in print. While the women's major efforts went into counteracting the prejudices, arrogance, and fear of change which motivated the many obstacles put in their way, there were also discussions of decorum: should a woman arguing before a jury wear a hat? if so, how fashionable should it be? Few followed Belva Lockwood's practice of riding a bicycle and most felt that appearing conventional was an asset in view of their distincly unconventioal aspirations. I don't want to give too much away: the devices and paths these women followed make fascinating reading. Their lives are not only an inspiration but accomplished major changes in the law and political processes of the 20th century United States.

1 of 1 people found the following review helpful.
Reclaiming a mostly forgotten history
By Todd Bartholomew
After the Seneca Falls Convention of 1848 women began to think differently about their identity and role in society. The patriarchal norms of society relegated most women to chattel, giving them few rights if any. Spurred by the rethinking of their role in society women began to agitate for a participation in non-traditional occupations, such as clergy, physicians, and lawyers. These women were trailblazers and their fascinating histories deserve to be told and recounted as they were truly exceptional women. With "Rebels at the Bar" Jill Norgen seeks to redress that by recounting the exploits of eight women who were amongst the first to break into the legal profession. Sadly these women are hardly household names, nor will most of them be familiar to many historians or legal scholars. They came from a variety of backgrounds and chose to pursue the legal profession for a variety of reasons, some out of desperation to provide for their family, others out of a desire to seek redress through the courts for women, others to fulfill personal ambition. By and large they were seeking to foster societal change, sometimes at great personal cost. In an age when women were marginalized they sought to prove themselves by advocating new ideas and concepts in the field that were often years ahead of eventual precedent. Clara Foltz's efforts at creating a constitutional right to counsel for criminal defendants almost 70 years before the time of Gideon v. Wainwright (1963), proving how farsighted she was and how progressive her thinking was. Many of these women clearly were Progressives whose ideas would eventually become legal precedent, but sadly not in their lifetimes. The passage of the 14th and 15th Amendments gave them further ammunition in their efforts as it implied giving women all the privileges of citizenship, but it quickly became clear that women were left out. This lead to most of these legal pioneers putting their energies into women's suffrage that would eventually result in the 19th Amendment extending the franchise to women. Another fascinating subject is Belva Lockwood who overcame mixed family reactions to become a lawyer. Lockwood clearly wouldn't take no for an answer and Norgren provides a great example of this where Lockwood was denied her Juris Doctorate diploma by the National University Law School so she writes an appeal to the university's president ex officio, President Ulysses S. Grant, who orders the diploma be provided to her. Lockwood would go on to battle Congress to be admitted to the United States Supreme Court Bar, a battle she won.

With the exception of Clara Foltz little has been written of these women individually or collectively and "Rebels at the Bar" wonderfully captures these forward thinking women and their struggles for inclusion in society. By turns inspirational, sad, and thought-provoking it will certainly provide greater insight into the Progressive Era and the women working to change society for the better. Reading over "Rebels" I was struck at the parallels women faced with those of the Civil Rights Movement and the recent LGBT struggles for equality. It's sad to think that it took so long for women to gain the franchise and to be accepted in so many occupations. These stories should matter deeply to anyone interested in equal rights and civil liberties.

0 of 0 people found the following review helpful.
Fascinating accounts of a woman’s role in U. S. legal history.
By Kathleen McGevna
Jill Norgren’s book is a great book-especially for the aspiring female lawyer. In an age where more than 50% of legal students are female this book is a great reminder of the struggle that women once faced to become recognized legal professionals. Norgren describes the accounts of very different women with very different talents to paint a vivid picture of the difficulties that American women faced in the legal system of the 19th and 20th centuries.

Norgren devotes much of her book to a few specific women:

1. Myra Bradwell-an entrepreneur- is the first of Norgren’s female lawyers. Norgren provides interesting information about this woman who began a successful periodical to discuss social and political issues as well as to address controversial issues. She used her legal news forum as an alter ego that was respected in the greater legal community.

2. Lavinia Goodell-a woman who was a special matriarch- Her story lends itself to wives and mothers despite the irony in that she was not a wife or mother. She was criticized for neglecting a “woman’s talents” and seeking out a professional career and used her career to take on a role as a benefactor and caregiver to others. Norwood does a great job in describing this fascinating woman and the ironies of her life.

3. Belva Lockwood-the activist- Not enough is taught about this woman at the high school or college level. As a former student of Women’s Studies at the university level, I was surprised at how little I knew about this woman. Norwood provides a strong account of a woman who fought an ardent fight on behalf of women, showed little fear when fighting for a cause, was an accomplished professional, and even a candidate for the U.S. presidency-twice. She represented clients that many accomplished lawyers of her time would not have considered. The account of her career is a great history lesson.

4. Clara Foltz-a rebel-Norgren describes a woman who defied social norms of a woman’s place in society and understood that “law was power”. She was a true student of the law and from my perspective after reading her account is an inspirational figure to all women who pursue education despite hardship.

Norgren finishes the book by telling the stories of other women warriors of the legal profession who were a bit more silent in their battle for equal rights for women lawyers. The book is a really great read-packed with history and full of interesting facts.

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Kamis, 03 September 2015

# Ebook Free Breaking Women: Gender, Race, and the New Politics of Imprisonment, by Jill A. McCorkel

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Breaking Women: Gender, Race, and the New Politics of Imprisonment, by Jill A. McCorkel

Winner of the 2014 Division of Women and Crime Distinguished Scholar Award presented by the American Society of Criminology
Finalist for the 2013 C. Wright Mills Book Award presented by the Society for the Study of Social Problems   Since the 1980s, when the War on Drugs kicked into high gear and prison populations soared, the increase in women’s rate of incarceration has steadily outpaced that of men. As a result, women’s prisons in the US have suffered perhaps the most drastically from the overcrowding and recurrent budget crises that have plagued the penal system since harsher drugs laws came into effect. In Breaking Women, Jill A. McCorkel draws upon four years of on-the-ground research in a major US women’s prison to uncover why tougher drug policies have so greatly affected those incarcerated there, and how the very nature of punishment in women’s detention centers has been deeply altered as a result.   Through compelling interviews with prisoners and state personnel, McCorkel reveals that popular so-called “habilitation” drug treatment programs force women to accept a view of themselves as inherently damaged, aberrant addicts in order to secure an earlier release. These programs were created as a way to enact stricter punishments on female drug offenders while remaining sensitive to their perceived feminine needs for treatment, yet they instead work to enforce stereotypes of deviancy that ultimately humiliate and degrade the women. The prisoners are left feeling lost and alienated in the end, and many never truly address their addiction as the programs’ organizers may have hoped. A fascinating and yet sobering study, Breaking Women foregrounds the gendered and racialized assumptions behind tough-on-crime policies while offering a vivid account of how the contemporary penal system impacts individual lives.    Instructor's Guide      

  • Sales Rank: #345974 in Books
  • Published on: 2013-08-05
  • Released on: 2013-08-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .72" w x 6.00" l, 1.05 pounds
  • Binding: Paperback
  • 283 pages

Review
"Breaking Women is a remarkable achievement. Jill McCorkel's long-awaited account raises critical questions about the social and psychological consequences of the current trend toward punitive, for-profit 'habilitation.' Meticulously researched and beautifully written, this is prison ethnography at its best." -Lorna Rhodes,author of Total Confinement: Madness and Reason in the Maximum Security Prison

"It has been observed that the eclipse of the prison ethnography corresponded almost perfectly with the rise of mass incarceration. This hugely important book shows precisely why we need to reverse both trends. The women’s stories that are so vividly captured in this work demonstrate in painful detail that efforts to ‘break’ human beings, even if in the name of reform, only succeed at creating more victims."-Shadd Maruna,author of Making Good: How Ex-Convicts Reform and Rebuild Their Lives

"This is the book so many sociologists of punishment, law, and gender have been waiting for. Beautifully written and thoughtfully argued, Breaking Women takes readers inside the U.S. penal system to analyze how its overall structure and concrete practices changed in the era of mass incarceration. Through a captivating and absorbing ethnographic account of a prison drug treatment program for women, the book traces how a particularly gendered mode of punishment emerged to discipline and humiliate women. In this way, McCorkel shows how our images of 'get tough' criminal policies and practices must change to encompass not only the inmate warehousing of overcrowded correctional facilities, but also some of the smaller, 'alternative' programs that reach inside inmates' heads to transform their sense of self."-Lynne Haney,author of Offending Women: Power, Punishment, and the Regulation of Desire

“Based on four years of ethnography and more than 100 interviews with PHW’s stakeholders, Breaking Women is an exceptionally well-researched piece of scholarship….McCorkel seamlessly weaves together history, politics, policy, and ethnography to form a complex, yet easy-to-follow, line of argumentation.”-Teaching Sociology

"The book is an interesting, honest, and uncomplicated read, one that challenges current public views of how to care for inmates and reduce recidivism. The intended audience is foremost students and teachers in the field of sociology, criminology and gender studies, but the book is equally accessible to those interested in the prison system, its effects on women, as well as how programs meant to habilitate women are implemented, along with their rates of success or attrition."-Hennie Weiss,Metapsychology

“Jill McCokel’s book is wonderful testimony to the power of ethnography to untangle and illuminate the complexities of otherwise hard-to-access social processes.  And, despite chilling descriptions of PHW ‘confrontations,’ Breaking Women is ultimately satisfying to read because of McCorkel’s stimulating grasp of the social, political, economic, philosophical, and human rights issues raised by prison regimes that combine close surveillance of the body with brainwashing techniques directed at mind control and a breaking of ‘self,’ ‘spirit,’ ‘soul.’  I strongly recommend Breaking Women to anyone with an interest in ethnography.  To everyone interested in justice, human rights and the politics of imprisonment Breaking Women is recommended as essential reading.” -British Journal of Criminology

"Jill McCorkel further extends the implications of such an invisibilized incarceration of black women with her seminal monograph, Breaking Women.  She delves into the hidden hallways of prisons, intimately detailing a drug treatment program that was initially tested in one of California's largest women's prisons and that has since been replicated across the United States."-WSQ: Women's Studies Quarterly

"McCorkel does a superb job of bringing individual women to life for the reader, while simultaneously developing a strong and always readable theoretical analysis."-Susan Sered,Women's Review of Book

“McCorkel’s work is an invaluable contribution to the examination of the politics of gender and race in the context of privatized correctional treatment.  It offers a unique insight and adds to the scarce ethnographic research on women’s prisons."-Social Service Review

"McCorkel's rich data contains the voices of prisoners and staff, which she skillfully links to larger, generally critical, theoretical perspectives on punishment."-P.S. Leighton,CHOICE

About the Author

Jill A. McCorkel is Associate Professor of Sociology at Villanova University. Her work has appeared in several leading journals, including Journal of Contemporary Ethnography, Journal of Offender Rehabilitation, and Contexts.

Most helpful customer reviews

2 of 2 people found the following review helpful.
for academic and non-academic audiences alike
By PhDmom
This text has something to draw in readers from both inside and outside academia. If the topic is something that interests, you will not regret your purchase.

For academic audiences? McCorkel's comprehensive and compelling analysis will leave no scholar of modern penology unhappy. She draws on research from multiple traditions, disciplines, and perspectives to illuminate the historical, structural, economic, cultural, and social factors that fuel the racialized/gendered/classed forms of punishment we see in American prisons today. Utilizing works ranging from classics like deTocqueville to modern critical scholars like Foucault, Michelle Alexander, and Angela Davis, she crafts a sharp, integrated analysis of the state--into which she situates her ethnography of East State Correctional Institution for Women. McCorkel's ethnographic analysis, based on years of immersion in the field, is in-depth and beautifully written. She paints a vivid picture "habilitation" at East State. She outlines how it emerged, the ways prison officials initially resisted (but eventually succumbed to) the corporation's reach into their institution, and the impact it had on the lives of women who were subjected to it. Readers will have a hard time forgetting examples and images of habilitation that McCorkel conjures for her audience.

This vivid picture of habilitation--and the stories that comprise it--are arguably what non-academic audiences will find most appealing. The brilliance of the book, however, is that McCorkel, word-for-word, line-for-line, and across the entire narrative is a true practitioner of the writer's craft. She weaves together social analysis and women inmate's stories in a seamless fashion and therefore makes even the most complex argument (and theorists) palatable and engaging. I can honestly say that this is the first academic book in a LONG TIME that I picked up and then could not put down.

In short, I strongly recommend this book for anyone interested in modern punishment.

0 of 0 people found the following review helpful.
Excellent work, a must-read for any with an interest in the modern carceral state.
By Rebecca
A must-read for any with interest in the current state and direction of mass incarceration and the carceral state. Extremely well-written, does an excellent job of documenting and discrediting a cruel brainwashing program for the junk science that it is. I want to add though that I think an even deeper understanding of the shift in techniques can be gained through also reading Tim Wise’s Under the Affluence. In short, habilitation as practiced in this program is also a reflection of the shift in American culture towards a Culture of Cruelty - outright hatred of the poor, demonization of the most vulnerable and marginalized members of society. I would argue the true end goal, behind the veil of rhetoric and leaving aside the financial reasons of the prison administration for going along with it, is really nothing more giving everybody from the counselors to the state officials and voters the visceral pleasure of kicking these vulnerable women when they are down. The shift in current policy isn’t simply towards incapacitating entire groups of society, it is also about legitimizing hatred of them and branding them hopelessly “other.” What better way to legitimize the hatred of a woman than to make her hate herself and brand herself an incurable deviant? Very Orwellian in general too, of course... almost painful to read some of the accounts of this practice. Really scary part is, given how we’ve seen carceral techniques and culture infiltrating schools as part of the school-to-prison-pipeline for the marginalized, probably only a matter of time before groups like The Company are pitching forms of this for dealing with “at-risk” youth as alternatives to pushouts (if that hasn’t happened already).

0 of 0 people found the following review helpful.
Powerful and Compelling
By Brad Mellinger
It is rare to find a work that combines both narrative and analytical strength in the way Breaking Women does. The stories directly from the people caught in the War on Drugs are compelling enough to make the book worth reading. But the careful analysis of the political and economic factors that led to such a radical change in policy toward female offenders will offer insight to readers from any background. What happens when for-profit companies participate in prison administration and prisoner treatment? What incentives are created and for whom? How does this influence the stories that are told about crime and offenders? Are the outcomes better or worse? It doesn't take an academic background to become absorbed in the careful consideration of these topics in this book.

At a time when even some of the most conservative voices in the US are calling for a fundamental change in crime and prison policy, this book offers everyone a window into where we came from, how we got here, and why the status quo may be untenable.

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Rabu, 02 September 2015

** PDF Download Hollywood v. Hard Core: How the Struggle Over Censorship Created the Modern Film Industry, by Jon Lewis

PDF Download Hollywood v. Hard Core: How the Struggle Over Censorship Created the Modern Film Industry, by Jon Lewis

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Hollywood v. Hard Core: How the Struggle Over Censorship Created the Modern Film Industry, by Jon Lewis



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Hollywood v. Hard Core: How the Struggle Over Censorship Created the Modern Film Industry, by Jon Lewis

In 1972, The Godfather and Deep Throat were the two most popular films in the country. One, a major Hollywood studio production, the other an independently made "skin flick." At that moment, Jon Lewis asserts, the fate of the American film industry hung in the balance.

Spanning the 20th century, Hollywood v. Hard Core weaves a gripping tale of censorship and regulation. Since the industry's infancy, film producers and distributors have publicly regarded ratings codes as a necessary evil. Hollywood regulates itself, we have been told, to prevent the government from doing it for them. But Lewis argues that the studios self-regulate because they are convinced it is good for business, and that censorship codes and regulations are a crucial part of what binds the various competing agencies in the film business together.

Yet between 1968 and 1973 Hollywood films were faltering at the box office, and the major studios were in deep trouble. Hollywood's principal competition came from a body of independently produced and distributed films--from foreign art house film Last Tango in Paris to hard-core pornography like Behind the Green Door--that were at once disreputable and, for a moment at least, irresistible, even chic. In response, Hollywood imposed the industry-wide MPAA film rating system (the origins of the G, PG, and R designations we have today) that pushed sexually explicit films outside the mainstream, and a series of Supreme Court decisions all but outlawed the theatrical exhibition of hard core pornographic films. Together, these events allowed Hollywood to consolidate its iron grip over what films got made and where they were shown, thus saving it from financial ruin.

  • Sales Rank: #1339599 in Books
  • Brand: Brand: NYU Press
  • Published on: 2000-12-01
  • Released on: 2000-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.00" w x 5.98" l, 1.43 pounds
  • Binding: Hardcover
  • 377 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Lewis's exhaustive history of censorship in American motion pictures starts off with a bang as he traces how the fledgling Motion Picture Association of America allied itself in 1947 with the House Committee on Un-American Activities to increase its power. The truth of the Hollywood adage "when they tell you it's not about the money... it's about the money" is repeatedly confirmed as Lewis demonstrates how the MPAA, which is supposed to serve as a watchdog for parents, really functions to promote big Hollywood business and discourage upstart independents. Lewis's chronicle of prominent skirmishes with the MPAA censors begins in the '50s (with The Moon Is Blue, Baby Doll and Tea and Sympathy) and continues into the '60s, when an X rating didn't necessarily indicate pornographic material (Midnight Cowboy, A Clockwork Orange, The Killing of Sister George), before moving into the present day (Eyes Wide Shut, Showgirls). The MPAA doesn't come off as an evil censor so much as a money-driven business concernDunlike Ted Turner, who apparently sabotaged the release of his own company's Crash and Bastard Out of Carolina because of his distaste for the projects. Only a fraction of the book covers the few years in the early 1970s when Hollywood was actually threatened by the popularity of hardcore films like The Devil in Miss Jones and Deep Throat. If there's a problem with Lewis's investigative report, it's that it is exhaustively complete: there is no detail too small to trace back a century, making it an outstanding reference but too detailed for most general readers. Photos throughout. (Jan. 1)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Although censorship guidelines have existed since the early days of film, their most organized form was developed in fairly modern times more to ensure substantial economic returns for the studios than to protect the public. Lewis (English, Oregon State Univ.) presents a well-researched history of the subject and analyzes the social, political, and financial motives that drive the ratings system. He discusses general film content, disputed scenes, definitions of pornography and obscenity, boundaries of compromise, artistic intent, among other topics. From the development of the industry and the blacklist days to the threat of independently produced hardcore films and recent market trends, the author studies court rulings, pivotal events, studio philosophies, and public figures ranging from Fatty Arbuckle to Richard Nixon. Lewis concludes that the industry's regulations grew from an astute evaluation of criteria relating to potential box office appeal and the necessity of maintaining overall control. The bottom line, he argues, is about money not art. For scholars, students, and those who work in or are seriously interested in the film industry. Carol J. Binkowski, Bloomfield, NJ
Copyright 2001 Reed Business Information, Inc.

Review

"…an accomplished, comprehensive, and provocative new history of censorship and the American film industry…And what of the perennialtussles between politicos and the film industry? All show business, suggests Lewis, make-believe veiling the real power structure that hasnothing to do with morals, let alone art (it would be interesting to get his take on the recent marketing brouhaha and its relationship tothe recent threatened actors and writers strikes). A staggering saga worthy itself of a Hollywood movie, Hollywood v. Hardcore is filmhistory at its most illuminating and intense."

-The Boston Phoenix

"Jon Lewis weaves a compelling narrative of how box office needs-rather than moral strictures-have dictated the history of film regulation. Telling the complex and fascinating story of how Hollywood abandoned the Production Code and developed the ratings system and then telling the even more compelling story of how the X rating became a desirable marketing device when hard core pornography became popular, Hollywood v. Hard Core reveals a great deal about the true business of censorship."

-Linda Williams,author of Hard Core: Power, Pleasure, and the "Frenzy of the Visible"

"When it comes to censorship in Hollywood, the bottom line is the ticket line. That's the central message in Jon Lewis's provocativeand insightful investigation of the movie industry's history of self-regulation.…Lewis shows that Hollywood films are a triumph ofcommerce over art, and that the film industry has consistently used internal censorship and government-industrial collusion to guaranteethat its cash flow is never seriously threatened."

-The New York Times Book Review

"As provocative as his sometimes X-rated subject matter, film scholar Lewis detects an intimate relationship between the seemingly strange bedfellows of mainstream Hollywood cinema and hardcore pornography. From postal inspector Anthony Comstock to virtue maven William Bennett, from the Hays Office that monitored the golden age of Hollywood to the alphabet ratings system that labels the motion pictures in today's multiplex malls, Lewis's wry, informative, and always insightful study of American film censorship demonstrates that the most effective media surveillance happens before you see the movie. Hollywood v. Hard Core is highly recommended for audiences of all ages."

-Thomas Doherty,author of Pre-Code Hollywood

"This is a fascinating account, both entertaining and scholarly."

-Journal of the West

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8 of 9 people found the following review helpful.
Provocative Title, Thorough Study
By Ricky Hunter
Jon E. Lewis has written an interesting book in Hollywood v. Hard Core, although it does not entirely live up to or prove its subtitle, How the Struggle Over Censorship Created the Modern Film Industry, it often comes close. The climax of the book focuses on the battles of the late sixties and early seventies but its vision is much larger and encompasses film history from its origins until the battles at the beginning of this new millenium. He promises heroes and villains and he delivers them and even combines one person (Jack Valenti) in both roles, depending on who is talking about him, of course. The book is always fascinating as it ranges over the history of film and the author always makes the economics clear and central to the debate (something left to the side in most histories of film censorship.) Particularly interesting and illuminating is the section on the McCarthy period. A recommended read.

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Exhaustively Detailed But Compelling History of Film Censorship
By Pageturner in NYC
Lewis's exhaustive history of censorship in American motion pictures starts off with a bang as he traces how the fledgling Motion Picture Association of America allied itself in 1947 with the House Committee on Un-American Activities to increase its power. The truth of the Hollywood adage "when they tell you it's not about the money... it's about the money" is repeatedly confirmed as Lewis demonstrates how the MPAA, which is supposed to serve as a watchdog for parents, really functions to promote big Hollywood business and discourage upstart independents.

Lewis's chronicle of prominent skirmishes with the MPAA censors begins in the '50s (with "The Moon Is Blue," "Baby Doll" and "Tea and Sympathy") and continues into the '60s, when an X rating didn't necessarily indicate pornographic material ("Midnight Cowboy," A Clockwork Orange," "The Killing of Sister George"), before moving into the present day ("Eyes Wide Shut," "Showgirls"). The MPAA doesn't come off as an evil censor so much as a money-driven business concern--unlike Ted Turner, who apparently sabotaged the release of his own company's "Crash" and "Bastard Out of Carolina" because of his distaste for the projects. Only a fraction of the book covers the few years in the early 1970s when Hollywood was actually threatened by the popularity of hardcore films like "The Devil in Miss Jones" and "Deep Throat."

If there's a problem with Lewis's investigative report, it's that it is exhaustively complete: there is no detail too small to trace back a century, making it an outstanding reference but too detailed for most general readers.

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~ Free Ebook Every Time I Feel the Spirit: Religious Experience and Ritual in an African American Church (Qualitative Studies in Religion), by Timothy

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Every Time I Feel the Spirit: Religious Experience and Ritual in an African American Church (Qualitative Studies in Religion), by Timothy

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Every Time I Feel the Spirit: Religious Experience and Ritual in an African American Church (Qualitative Studies in Religion), by Timothy

Dreams and visions, prophetic words from God about "dusty souls," speaking in tongues while "in the spirit"—narratives of these and similar events comprise the heart of Every Time I Feel the Spirit. This in-depth study of a Black congregation in Charleston, South Carolina provides a window into the tremendously important yet still largely overlooked world of African American religion as the faith is lived by ordinary believers.

For decades, scholars have been preoccupied with the relation between Black Christianity, civil rights, and social activism. Every Time I Feel the Spirit is about black religion as religion. It focuses on the everyday experience of religion in the church, congregants' relationships with God, and the role that God and Satan play in congregants' lives—not only as objects of belief but as actual agents. It explores the concepts of religious experience and religious ritual, while emphasizing the attributions that people make to the operation of spiritual forces and beings in their lives.

Through interviews and field work, Nelson uncovers what religious people themselves see as important about their faith while extending and refining sociological understandings of religious ritual and religious experience.

  • Sales Rank: #1575422 in Books
  • Brand: Brand: NYU Press
  • Published on: 2004-12-05
  • Released on: 2004-12-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .59" w x 6.00" l, .72 pounds
  • Binding: Paperback
  • 222 pages
Features
  • Used Book in Good Condition

Review

"A very welcome book, not just for what we learn about one African American congregation, but for its reminder of what it means to see the world with religious eyes. Nelson's guided tour of a Charleston, South Carolina, pentecostal AME church is both enlightening and elegantly written. This book will shift the terms of debate about the role of ritual and experience in American religious life."

-Jim Spickard,University of Redlands

” Nelson has given us a wonderfully intimate glimpse into how rituals and belief animate the religious experiences of black-southerners. This is an important work that will challenge scholars of religion and race to rethink the nature of religious experience.”

-American Journal of Sociology

"Nelson reveals the spiritual lives of black Southerners like few authors before him. In beautifully written and theoretically engaging prose, the ritual experience of low country worshippers emerges in rich and compelling detail. This book will surely deepen our understanding of power and authority in African American religious life."

-Marla Frederick,author of Between Sundays: Black Women and Everyday Struggles of Faith

About the Author

Timothy J. Nelson is senior lecturer in sociology and assistant research professor in the Institute for Policy Research at Northwestern University.

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!! Download Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (American Literatures Initiative)

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Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (American Literatures Initiative)

2013  Honorable Mention, Asian American Studies Association's prize in Literary Studies  Part of the American Literatures Initiative Series  Why do black characters appear so frequently in Asian American literary works and Asian characters appear in African American literary works in the early twentieth century? Interracial Encounters attempts to answer this rather straightforward literary question, arguing that scenes depicting Black-Asian interactions, relationships, and conflicts capture the constitution of African American and Asian American identities as each group struggled to negotiate the racially exclusionary nature of American identity.

In this nuanced study, Julia H. Lee argues that the diversity and ambiguity that characterize these textual moments radically undermine the popular notion that the history of Afro-Asian relations can be reduced to a monolithic, media-friendly narrative, whether of cooperation or antagonism. Drawing on works by Charles Chesnutt, Wu Tingfang, Edith and Winnifred Eaton, Nella Larsen, W.E.B. Du Bois, and Younghill Kang, Interracial Encounters foregrounds how these reciprocal representations emerged from the nation’s pervasive pairing of the figure of the “Negro” and the “Asiatic” in oppositional, overlapping, or analogous relationships within a wide variety of popular, scientific, legal, and cultural discourses. Historicizing these interracial encounters within a national and global context highlights how multiple racial groups shaped the narrative of race and national identity in the early twentieth century, as well as how early twentieth century American literature emerged from that multiracial political context.

  • Sales Rank: #2900675 in Books
  • Published on: 2011-10-01
  • Released on: 2011-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .58" w x 6.00" l, .73 pounds
  • Binding: Paperback
  • 228 pages

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