Minggu, 31 Agustus 2014

> Fee Download Graffiti Lives: Beyond the Tag in New York's Urban Underground (Alternative Criminology), by Gregory J. Snyder

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Graffiti Lives: Beyond the Tag in New York's Urban Underground (Alternative Criminology), by Gregory J. Snyder

On the sides of buildings, on bridges, billboards, mailboxes, and street signs, and especially in the subway and train tunnels, graffiti covers much of New York City. Love it or hate it, graffiti, from the humble tag to the intricate piece (short for masterpiece), is an undeniable part of the cityscape.

In Graffiti Lives, Gregory J. Snyder offers a fascinating and rare look into this world of contemporary graffiti culture. A world in which kids, often, shoplift for spray paint, scale impossibly high places to find a great spot to “get up,” run from the police, journey into underground train tunnels, fight over turf, and spend countless hours perfecting their style. Over the ten years Snyder studied this culture he even created a few works himself (under the moniker “GWIZ”), found himself serving as a lookout for other artists engaged in this illegal activity, spent time in the train tunnels in search of new work, created a blackbook for writers to tag, and took countless photographs to document this world—over sixty included in the book.

A combination of amazing “flicks” and exhilarating prose, Graffiti Lives is ultimately an exploration into how graffiti writers define themselves. Snyder details that writers are not bound together by appearance or language or birthplace or class but by what they do. And what they do is reach for fame, painting their names as prominently as they can. What’s more, he discovers that, though many public officials think graffiti writing will only lead to other criminal activity, many graffiti writers have turned their youthful exploits into adult careers—from professional aerosol muralists and fine artists to designers of all kinds, employed in such fields as tattooing, studio art, magazine production, fashion, and guerilla marketing. In fact, some of the artists featured have gone on to international acclaim and to their own gallery shows. Snyder’s illuminating work shows that getting up tags, throw-ups, and pieces on New York City’s walls and subway tunnels can lead to getting out into the city’s competitive professional world. Graffiti Lives details the exciting, risky, and surprisingly rewarding pursuits of contemporary graffiti writers.

  • Sales Rank: #234332 in Books
  • Brand: Brand: NYU Press
  • Published on: 2011-04-15
  • Released on: 2011-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .64" w x 6.00" l, .74 pounds
  • Binding: Paperback
  • 252 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. In his first book, fan and socio-anthropologist Snyder doesn't just celebrate urban street art and its rising stars, but takes a thorough look at its history and future, the language of public art and the idea of the graffiti artist as criminal-including an intriguing challenge to the "broken windows theory" cited by law enforcement and NYC government officials as central to their efforts. Along the way he decodes a backdoor in the East Village covered with a dozen different tags-"in the same way that the sedimentary layers of ancient ruins inspire archaeologists to tell tales of past civilizations"-profiles rising and established stars, and takes a raw, detailed tour of the scene with guidance from writers like ESPO, MEK, and AMAZE (their trip through the "Freedom Tunnel" from 72nd Street to 125th Street under Riverside Drive is especially exciting). Snyder's "the kids are alright" assessment, buttressed by many examples of thrill-seeking taggers finding successful careers in art, design, publishing, and (commissioned) mural-painting, is well-articulated, convincing, and quite possibly reassuring for the urbanites living among (or perhaps raising) today's writers and bombers.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Graffiti writers, the book argues, cannot be understood merely as practitioners of vandalism and social disorder, but also as members of a diverse subculture who, in many cases, have used their experiences to build legitimate careers.”
-The New York Times



"Graffiti Lives [is] an important text for emerging research connecting cultural criminology and green criminology."-Avi Brisman,Crime, Law & Social Change

"In his first book, fan and socio-anthropologist Snyder doesn’t just celebrate urban street art and its rising stars, but takes a thorough look at its history and future, the language of public art and the idea of the graffiti artist as criminal—including an intriguing challenge to the ‘broken windows theory’ cited by law enforcement and NYC government officials as central to their efforts. Along the way he decodes a backdoor in the East Village covered with a dozen different tags—’in the same way that the sedimentary layers of ancient ruins inspire archaeologists to tell tales of past civilizations’—profiles rising and established stars, and takes a raw, detailed tour of the scene. . . . Snyder’s ‘the kids are alright’ assessment, buttressed by many examples of thrill-seeking taggers finding successful careers in art, design, publishing, and (commissioned) mural-painting, is well-articulated, convincing, and quite possibly reassuring for the urbanites living among (or perhaps raising) today's writers and bombers."
-Publisher’s Weekly Starred Review



“Layered, fascinating and compelling, Graffiti Lives is of interest to scholars and general readers alike. Raw, energetic pictures complement the intense prose. The book is as exciting as the transgressive art it documents.”-M/C Reviews

"Will prompt readers to look again at graffiti scrawls they may previously have ignored."

-Kirkus Reviews

"Outstanding, innovative, and multidimensional. . . . I can easily see this book becoming the new ‘best book on graffiti.’ "

-Joe Austin,author of Taking the Train: How Graffiti Art Became an Urban Crisis in New York City

"Graffiti lives! proclaims author Snyder in this new, vaguely academic account of graffiti in the urban underground—particularly New York."
-New York Post



“The book contributes to our understanding of graffiti, getting beyond simple explanations of graffiti or generalizations about graffiti writers.  Open-minded art lovers, as well as visual sociologists, will enjoy the integration between images and text….Snyder’s book makes an admirable contribution toward our understanding of this fascinating form of vandalism, art, resistance, space claiming, and identity making.”-Social Forces

About the Author
Gregory J. Snyder is Assistant Professor of Sociology at Baruch College, City University of New York.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Must have urban ethnography
By Jason Patch
Finally a scholarly analysis of graffiti that's not stuck in the 1970s. Anyone doing urban ethnography should check this book out. The author's methodology appendix offers up innovative and creative research techniques. Plus, anyone following Shepard Fairey or Banksy will appreciate the discussion of the career trajectories less well-known writers take as they move away from the street.

2 of 2 people found the following review helpful.
The evolution of a subculture.
By S. Rivera
Remember that the graffiti scene in the 1970's and 1980's was a subculture that was very important to the evolution of the actual art that came from it (which we see in the 1990's until now). In the future "graffiti art" as we think of it today will be known as one of the few original artforms that came from the U.S.A. There are not many artforms that can say that. To me this is something important to write about and I thank the writer for understanding this. Those who critisize him are obviously ignorant to what they are talking about. They do not know what is like to come from a city where the people, architecture, and system of things tells you everyday that "you are worth nothing and do not matter". That frame of thought was the spark that started it all.
This is an excellent book that delves deep into the lives and culture of graffiti artists.

0 of 0 people found the following review helpful.
Thorough
By The Name You See
This book helped me in a research paper I did in college. I already know a lot about graffiti but this was deeper than I thought it would be. It got to the reasons why people write and even talks about the demographics involved (most people think they know all about this part but they don't). If you are an outsider to the graffiti world, and think you know about graffiti, or maybe even hate graffiti, you should read this book. It might change the way you see it.

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Jumat, 29 Agustus 2014

## Ebook Download Out in the Country: Youth, Media, and Queer Visibility in Rural America (Intersections), by Mary L. Gray

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Out in the Country: Youth, Media, and Queer Visibility in Rural America (Intersections), by Mary L. Gray

Out in the Country: Youth, Media, and Queer Visibility in Rural America (Intersections), by Mary L. Gray



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Out in the Country: Youth, Media, and Queer Visibility in Rural America (Intersections), by Mary L. Gray

Winner of the 2009 Ruth Benedict Prize for Outstanding Monograph from the Society of Lesbian and Gay Anthropologists

Winner of the 2010 Distinguished Book Award from the American Sociological Association, Sociology of Sexualities Section

Winner of the 2010 Congress Inaugural Qualitative Inquiry Book Award Honorable Mention

From Wal-Mart drag parties to renegade Homemaker’s Clubs, Out in the Country offers an unprecedented contemporary account of the lives of today’s rural queer youth. Mary L. Gray maps out the experiences of young people living in small towns across rural Kentucky and along its desolate Appalachian borders, providing a fascinating and often surprising look at the contours of gay life beyond the big city. Gray illustrates that, against a backdrop of an increasingly impoverished and privatized rural America, LGBT youth and their allies visibly—and often vibrantly—work the boundaries of the public spaces available to them, whether in their high schools, public libraries, town hall meetings, churches, or through websites. This important book shows that, in addition to the spaces of Main Street, rural LGBT youth explore and carve out online spaces to fashion their emerging queer identities. Their triumphs and travails defy clear distinctions often drawn between online and offline experiences of identity, fundamentally redefining our understanding of the term ‘queer visibility’ and its political stakes. Gray combines ethnographic insight with incisive cultural critique, engaging with some of the biggest issues facing both queer studies and media scholarship. Out in the Country is a timely and groundbreaking study of sexuality and gender, new media, youth culture, and the meaning of identity and social movements in a digital age.

  • Sales Rank: #298686 in Books
  • Brand: Brand: NYU Press
  • Published on: 2009-08-01
  • Released on: 2009-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .74" w x 6.00" l, .89 pounds
  • Binding: Paperback
  • 293 pages
Features
  • Used Book in Good Condition

Review

“Gray’s ethnography allows us an in-depth look at GLBT young people in the southeastern United States. Gray’s book should be read by anyone who works with rural GLBT youth, and those interested in learning about an under-represented, but not invisible, population.”
-PopMatters.com



"Gray . . . challenges the urban focus of queer politics and media studies, and not solely in her choice of topic. This book has more ambitious aims than simply documenting a neglected population. Her focus on rural queer youth does this admirably, but even more impressive is how she uses her topic to unpack what Jack Halberstam calls the 'metronormativity' of queer scholarship and its implications for politics of visibility"-D. Travers Scott,International Journal of Communication

“Young queer people living in rural areas face numerous challenges, to be sure. But they creatively use new media and other strategies to find one another, as Gray shows so well. Out in the Country challenges preconceptions about both gender and sexual nonconformity in rural America.”

-Arlene Stein,author of The Stranger Next Door

“We still know far too little about the experiences of queer youth, especially those who live in small towns and farming communities. Gray’s pioneering work will do much to cure our ignorance, as she takes us along on an engaging exploration of queer teenagers caught in the crosswinds of commercial media culture and local societal and political beliefs.”
-Larry Gross,author of Up From Invisibility: Lesbians, Gay Men, and the Media in America



“Out in the Country succeeds insofar as it turns our attention toward the unique set of challenges faced by queer rural youth as they try to reconcile where they live with who they love.”

-Daily Yonder



“In this deft, smart ethnography, Gray not only brings to life the intricacies of rural queer existence, but also dislodges conventional assumptions about gay media visibility, queer identities, and the closet. As friendly, articulate, and challenging as its subjects, Out in the Country is a major contribution to both sexuality and media scholarship.”

-Joshua Gamson,author of The Fabulous Sylvester

“Out in the Country promises to excite and ignite our critical imaginations as it pushes us to reckon with the complexity of queer lives away from the urban spotlight. Gray has done a stupendous job in bringing these stories to light, and in analyzing them with such warmth, humor, and insight.”

-Suzanna Danuta Walters,author of All the Rage



“Out in the Country gives hope that times are changing, highlighting the lives of today’s rural queer youth through a series of case studies focusing on the efforts of advocates to increase gay visibility. Informative and insightful—you’ll be surprised by what you find!”-MIX Word

About the Author
Mary L. Gray is Associate Professor in The Media School, Affiliate Faculty of Gender Studies, and an Adjunct in American Studies and Anthropology at Indiana University. She is also a Senior Researcher at Microsoft Research New England. She is the author of In Your Face: Stories from the Lives of Queer Youth and Out in the Country: Youth, Media, and Queer Visibility in Rural America.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Out in the Country is like reading a thesis.
By RunamukRancher
Out in the Country is like reading a thesis. It is written for professionals
who may deal with young adults. As an actual gay person who actually lives in a rural area, it sounded like a great read. Many fascinating events and pioneering pro gay educators were mentioned in the author's research. Then the author would draw her own conclusions, which are are lengthy and repetitive causing your eyes to glaze over.

I enjoyed detouring the therapist-speak to read words and deeds of actual gay folk out here in the trenches. Out in the Country is an important work, but aimed at professionals. Really Out in the Country would be wonderful if she published much more of the experiences of the youth she interviewed in their own words.

And the cover is great except no one in the country has a paved driveway!

5 of 7 people found the following review helpful.
Out in the Country
By Esmerelda
Often it feels like the national ethos is anti-rural. We urban dwellers distrust the farm, the country and the small town. It comes across in our films, television and new reports. We like rural as long as it is safe and sanitized: corn mazes and pumpkin patches and Christmas tree farms.

We also assume that anyone gay will leave the country immediately. No self respecting gay man or woman could stay in a rural place where they are hated and there is no support. Homosexuality and queer gender identity have no place in the country.

Out in the Country is an ethnography and cultural exploration of gay youth in Appalachia and rural Kentucky. It flips normal expectations about being gay and being rural on its head. While still an academic work and a cogent exploration of the gay cultural anthropology which came before this one, the author, Mary Gray writes poetically about the struggle for equality and personal identity in the small towns of Kentucky.

I enjoyed reading about a local homemakers club which endeavored to present a forum for gay youth at the local public library and a gay drag show in the aisles of Wal-mart. One chapter in the book was devoted to how gay youth use the internet to connect and to understand coming out vis a vis their own personal identity.

Of course an anthropological look at rural gay youth is not going to come away with only cheerful or moral endings. Nothing in life has easy answers and no stories are necessarily ended happily or rightly. Gay people in the country do face challenges and battles to end discrimination, but they do everywhere. This book really helps to delve deeper into a place and a situation which is badly misunderstood and often stereotyped. In our age of culture wars and red states and blue states any narrative or study that helps us to think more fully about a place and a time is a welcome gift.

1 of 1 people found the following review helpful.
Good read
By Alexandra C
I appreciated this read. Moving, accurate as far as I know, as a lesbian living in the upper South. It is validating to read about the struggles that others in my community have endured-it helps to know that I am not alone, and that someone is paying attention to this issue-that is huge.

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Seldom has American law seen a more towering figure than Chief Justice John Marshall. Indeed, Marshall is almost universally regarded as the "father of the Supreme Court" and "the jurist who started it all."

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  • Sales Rank: #7185526 in Books
  • Published on: 2000-10-01
  • Released on: 2000-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .94" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 376 pages

Review

"This absorbing collection of essays . . . goes far toward filling a void in the literature on the early justices of the world's most significant tribunal.”

-Law and Politics Book Review

"This useful collection of biographical essays, bracketed by splendid treatments of John Jay and Oliver Elsworth, goes a long way toward establishing that the first justices of the Supreme Court were an impressive collection of political and constitutional thinkers who did much, before and during their service on the Court, to construct the constitutional order."

-Mark Tushnet,Georgetown University Law Center

"Professor Gerber's Seriatim is a genuinely welcome work, an imaginative one, and a distinctly needed one. The pre-Marshall period had all-too-long been neglected and when addressed at all, it was usually done in cursory, brief compass. Gerber has done a splendid job in securing experts to analyze the labors and persona of the ten pre-Marshall jurists on our highest bench, and his introduction to the essays is a model of synthesis and clarity."

-Henry J. Abraham,James Hart Professor of Government and Foreign Affairs, Emeritus, University of Virginia

"A wonderful book that challenges the idea that the Court did nothing of importance prior to Marshall's appointment; . . . it seems destined to become a staple source for the Court's first decade.”

-Supreme Court Historical Society Quarterly

"This creative and imaginative analysis of America's first national jurists is recommended for all students of Supreme Court history."

-Choice

About the Author

Scott Douglas Gerber, Ph.D., J.D., is author of To Secure These Rights: The Declaration of Independence and Constitutional Interpretation and editor of Seriatim: The Supreme Court before John Marshall, both available from New York University Press. He teaches at Ohio Northern University College of Law.

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1 of 2 people found the following review helpful.
Complete Review of the Authority on the Subject
By Ryan Adair
Gerber's collection is a complete review on the subject, challenging notions that the Court was inconsequential and irrelevant prior to John Marshall's appointment as Chief Justice of the United States in 1801. The compiled works illustrate effectively the Court's prohibition on advisory opinions and the Constitutional importance of the decision in Chisholm v. Georgia.

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? Free PDF Mastering the Semi-Structured Interview and Beyond: From Research Design to Analysis and Publication (Qualitative Studies in Psychology)

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Mastering the Semi-Structured Interview and Beyond: From Research Design to Analysis and Publication (Qualitative Studies in Psychology)

Mastering the Semi-Structured Interview and Beyond offers an in-depth and captivating step-by-step guide to the use of semi-structured interviews in qualitative research. By tracing the life of an actual research project–an exploration of a school district's effort over 40 years to address racial equality–as a consistent example threaded across the volume, Anne Galletta shows in concrete terms how readers can approach the planning and execution of their own new research endeavor, and illuminates unexpected real-life challenges they may confront and how to address them.  The volume offers a close look at the inductive nature of qualitative research, the use of researcher reflexivity, and the systematic and iterative steps involved in data collection, analysis, and interpretation. It offers guidance on how to develop an interview protocol, including the arrangement of questions and ways to evoke analytically rich data.  Particularly useful for those who may be familiar with qualitative research but have not yet conducted a qualitative study, Mastering the Semi-Structured Interview and Beyond will serve both undergraduate and graduate students as well as more advanced scholars seeking to incorporate this key methodological approach into their repertoire.

  • Sales Rank: #334905 in Books
  • Brand: Brand: NYU Press
  • Published on: 2013-06-17
  • Released on: 2013-06-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .65" w x 6.00" l, .90 pounds
  • Binding: Paperback
  • 258 pages
Features
  • Used Book in Good Condition

Review
"A major strength of this work is how the author ties key themes, concepts, and issues to an actual research study she conducted, ensuring that the discussion is rooted in concrete experience and example rather than vague principles....Overall this is a very practical, detailed, and accessible guide to conducting semi-structured interviews. Summing Up: Highly recommended." -R.V. Labaree,Choice

"Reading this book is like having an extended conversation with a wise and experienced qualitative researcher that explores not only how to construct and conduct effective semi-structured interviews but also many other aspects of qualitative research, including the difficult but important question of how to move from your data to your conclusions."-Janet Ward Schofield,University of Pittsburgh

"A beautifully crafted book. Methodologically authoritative and narratively engaging, its comprehensive description of the semi-structured interview introduces established and emerging social scientists to a versatile, informative, inductive qualitative method that too often is treated as if it were methodologically self-evident. Galletta describes how this method can include diverse participants’ voices, experiences, understandings, and concerns with rigor and rich conceptual and narrative effects. This timely book will surely be a classic, widely used in methods courses and as an important resource for researchers interested in the complex dynamics of social issues and societal change.” -Susan Opotow,John Jay College of Criminal Justice and The Graduate Center, CUNY

About the Author
Anne Galletta is Associate Professor at the College of Education and Human Services at Cleveland State University.

William E. Cross, Jr. is the author of Shades of Black: Diversity in African-American Identity.

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0 of 0 people found the following review helpful.
Really helpful!
By DrSammy
This book is really helpful as a refresher on semi-structured interview methodology. Moreover, the way the authors addressed the research process is quite useful. I would recommend this book as an introductory (graduate or undergraduate) qualitative research textbook. Having said that, even seasoned researchers will find this book helpful. I like to dog-ear books, so my only regret is not buying this in book form. (I bought it as a Kindle download.)

0 of 0 people found the following review helpful.
Great book. Very illustrative examples and easy to read.
By Regina Giraldo
Great book, very helpful for qualitative studies where semi-structured interview is needed. Very illustrative examples and easy to read in general...

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Kamis, 28 Agustus 2014

> Get Free Ebook Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992From NYU Press

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Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992From NYU Press

Among The Village Voices 25 Favorite Books of 2006

Winner of the 2007 AAUP Book, Jacket, and Journal Show in the Trade Illustrated Book Design category.

Sometime after Andy Warhol’s heyday but before Soho became a tourist trap, a group of poets, punk rockers, guerilla journalists, graffiti artists, writers, and activists transformed lower Manhattan into an artistic scene so diverse it became known simply as “Downtown.“ Willfully unpolished and subversively intelligent, figures such as Spalding Gray, Kathy Acker, Richard Hell, David Wojnarowicz, Lynne Tillman, Miguel Piñero, and Eric Bogosian broke free from mainstream publishing to produce a flood of fiction, poetry, experimental theater, art, and music that breathed the life of the street.

The first book to capture the spontaneity of the Downtown literary scene, Up Is Up, But So Is Down collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. Reflecting the unconventional genres that marked this period, the book includes flyers, zines, newsprint weeklies, book covers, and photographs of people and the city, many of them here made available to readers outside the scene for the first time. The book's striking and quirky design—complete with 2-color interior—brings each of these unique documents and images to life.

Brandon Stosuy arranges this hugely varied material chronologically to illustrate the dynamic views at play. He takes us from poetry readings in Alphabet City to happenings at Darinka, a Lower East Side apartment and performance space, to the St. Mark's Bookshop, unofficial crossroads of the counterculture, where home-printed copies of the latest zines were sold in Ziploc bags. Often attacking the bourgeois irony epitomized by the New Yorker’s short fiction, Downtown writers played ebulliently with form and content, sex and language, producing work that depicted the underbelly of real life.

With an afterword by Downtown icons Dennis Cooper and Eileen Myles, Up Is Up, But So Is Down gathers almost twenty years of New York City’s smartest and most explosive—as well as hard to find—writing, providing an indispensable archive of one of the most exciting artistic scenes in U.S. history.

  • Sales Rank: #6761617 in Books
  • Published on: 2006-10-01
  • Released on: 2006-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 8.50" w x 1.25" l, 4.10 pounds
  • Binding: Hardcover
  • 500 pages

From Publishers Weekly
While the major players in New York's punk scene have had their songs anthologized and reissued several times, Stosuy believes the downtown literary culture has not been as well preserved. This vibrant time capsule, presented in a creatively designed oversize volume, aims to fill the gap by compiling poems and short stories and mixing in an assortment of magazine covers, hand-printed flyers and other artworks that demonstrate the performative and collaborative aspects of the scene's poetry readings and small magazines. Stosuy's skills as an archivist and cultural critic help him guide readers through the various subcultures. The talent roster is split between recognizable literary figures and the semiforgotten: Mary Gaitskill and Tama Janowitz are the biggest stars here, and monologues by Eric Bogosian and Spalding Gray are juxtaposed with pieces by performers like Penny Arcade, one of the last stars of Andy Warhol's Factory. In an afterword in the form of a dialogue, Cooper and Myles discuss how the AIDS crisis decimated this vibrant artistic community and share recollections of a heady time they say is still influencing the cultural scene. 180 illus. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“This is a kind of three-decade book celebrating the possibilities of a self-sufficient writing community right under the nose of the decaying, increasingly irrelevant, empire of New York publishing.”
-American Book Review



“Some of us like our angels with dirty faces; witness the lovingly reproduced artifacts of Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992, a comprehensive compendium of below-14th Street literary productions by everyone from Laurie Anderson to Nick Zedd, focusing on the output of small magazines of the era like Koff, Bomb, and Between C and D...[the] stories meld dry satire with heart-churningly desperate transmissions of damaged humanity.”
-Village Voice



“Exhilarating. . . . Up Is Up reproduces flyers and pages from lit mags to convey downtown’s heady DIY ethos. The writing itself displays sensibilities that are at once fiery and cool. Cookie Mueller, Dennis Cooper, Wojnarowicz and many others merge crackling prose and a matter-of-fact tone to burrow into disturbing corners of sexual desire. AIDS takes a serious toll in the ’80s, and becomes the haunting focus in amazing selections by novelist Gary Indiana and poet Tim Dlugos. Even as the scene begins to wind down, the book nails the deep thrills of talk and collaboration, especially in novelist Lynne Tillman’s complex rendering of two friends’ bar-set conversation. That gift for gab lives on in the epilogue, a spirited conversation between Eileen Myles and Cooper, who resist mythologizing but invoke the scene’s glory nonetheless.”
-Time Out New York



“Up Is Up is a remarkable monument to the vibrancy of the Downtown scene. There are moments of romantic myth-making, dysfunctional beauty and hilarious profundity. It documents a now-gone era when lower Manhattan was an affordable oasis for artists, writers and musicians, when poetry and prose rubbed up against punk and visual art before drunkenly stumbling into an endless pansexual orgy.”
-New York Press



“Up Is Up itself has a scrapbook feel. It gathers poems, excerpts and short stories as well as handmade magazine covers, pamphlets and posters that capture the collaborative, on-the-fly spirit of the period. . . . What is most arresting about UP IS UP is not its discovery of any individual genius but its invocation of an electrifying social energy that helped blast out an intellectual space for then-‘transgressive’ female and gay writers.”
-New York Times Book Review

About the Author

Brandon Stosuy is a staff writer at Pitchfork, contributes to The Believer, Magnet, and the Village Voice, and has written for Bomb, Bookforum, L.A. Weekly, and Slate, among other publications. He lives in Brooklyn, where he is at work on his first novel.

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10 of 10 people found the following review helpful.
Dark Allegory
By Kevin Killian
(I love the way that when you search for this book on Amazon, and ask for "Up is Up" you get the insane Richard Pryor-Lonette McKee vehicle WHICH WAY IS UP? and also THE POP-UP BOOK OF CELEBRITY MELTDOWNS by "Melcher Media." That one I ordered!)

You don't have to be a New Yorker to fall for the grit, abandon, and passionate politics exhibited by the writers and poets Brandon Stosuy has collected in this jumbo book of unreason. You can skip the part where he explains why the book begins in 1974 and ends in 1992, though afterwards you'll want to go back and follow up on this intrihuing explanations, but first time readers will want to just jump right in with a giant splash into the grimy glamorous downtown swimming hole. The 1970s begin on a brash note with Kathy Acker, Ed Sanders, the debut of Patti Smith, "Blank Generation" by Richard Hell, the eternally underrated Constance De Jong, and a long, long, long piece by Laurie Anderson. In fact there's a power and cohesion about the writing in this section that the book afterward fails to recover. That's not to say that the rest of the book is dull, for the social issues of crime, poverty, and most of all the AIDS epidemic complicate the Downtown aesthetic in totally interesting and provocative ways. I'm just saying . . . If there was a time when "Downtown" was fun, maybe the 1970s were it, and Stosuy cannily reprints (from the much missed zine BIKINI GIRL) a hilarious three way interview between editor Lisa Falour, novelist Lynne Tillman, and style icon slash photographer slash urban Narcissus Gerard Malanga that is a sort of mock salute to the old-style Factory school. Here you will also a great poem, "I Missed Punk" from 1979 by Peter Schjeldahl. I'm indifferent to his work at the New Yorker and feel, couldn't he still have stayed a poet too, or did he have to give it all up when his muse took a powder? In any case, "I Missed Punk" is super.

In general, the poetry isn't up to the silver standard of the prose work here, which is strange considering all the great poets who lived Downtown in the period; but some of this must be assigned to Stosuy's apparent preference for prose, for he could have printed any number of poems by, for example, Eileen Myles or Dennis Cooper or Brad Gooch, opting instead for stories by each of them. That said, there are some beautiful poems here, by Tim Dlugos, Susie Timmons, David Trinidad, Bob Holman, Penny Arcade, among others; and even the duds exhibit a sort of snapshot realism about the period that brings it all to life like throwing sea monkeys into a glass of water. What happened to Susie Timmons? Is she still writing? I haven't mentioned yet the sheer churn of names, the wave of stars that flickered out into the night, people who stopped writing, who disappeared into drugs or drink, or just into mediocrity after brilliant beginnings . . . but editor Stosuy has made this one of his themes, noting the contents of fugitive magazines, or big anthologies, in which the names we still know today mingle with the head-scratchers. Well, you know how time fades away.

The 80s is a much huger section, as the commercial realities of BRIGHT LIGHTS, BIG CITY and SLAVES OFF NEW YORK seemed to bear down on the more avant-garde, formalist work that preceded it, so that "Downtown" began to market itself in numerous subtle, and subtly arrogant ways. Heroically many artists took their economics realistically as a subject and began to whirl it around in Duchampian ways. The magazine "Between C & D" came right off those primitive computer printers on folded, pegged paper, and each copy was then stuffed into an elongated quart-sized baggie for immaculate consumption. Indeed this was the golden age of the "Between C & D" writers, their work highlights of Stosuy's volume. Lines blurred between genres, and New York's theatricality is rarely far away from the presentation of such texts as Karen Finley's "Baby Birds," Richard Prince's sublime "Practicing without a License," Sarah Schulman's "Girls, Visions and Everything," Eric Bogosian's ponderous "In the Dark." AIDS comes along and knocks everything into a cocked hat, and the graphics that often overpower these pages find themselves now shadowed by a fighting, communal spirit close in tone to the Revolutionary Calendar. Though "Downtown" apparently ends in 1992, with the death of the artist David Wojnarowicz, Stosuy still finds a hundred pages of 1990s material, a Jacobean flowering of excess and despair that includes Bruce Benderson, Mary Gaitskill, the late David Rattray, and the amazing Susan Daitch.

Physically the book weighs a ton and straphangers won't be folding it over their elbow like the New York Post. I wasn't crazy about how every page is on a different color, most of them leaning towards the bleak or the dayglo. (The designer Angela Lidderdale's celebrated work on Benetton's COLORS magazine has leached into her book design.) And after prolonged immersion in the book I found out that in fact I was wrong; many pages in a row are printed in standard black and white. I was just feeling cornea fatigue I suppose. Stosuy, a fiction writer with an anthropologist's zest for reconstructing lost cultures, has found a wealth of material to support his thesis that the "downtown" writing scene of the post-Watergate Manhattan had energy and style to spare. I want him to come to San Francisco and I will show him around and persuade him that we did the same thing here only with less publicity, better weather, and cuter guys.

3 of 3 people found the following review helpful.
One of the strongest books of the year
By EP
There are good books that you read, enjoy, and put back on the shelf; and then there are books like UP IS UP..., which you keep nearby to facilitate the frequent dips you know you'll need. Obsession is mandatory. Even the downtown agnostic will be won over by the energy, inventiveness, and humor of the selections; the book's terrific size and design (reproducing dozens of small-run journal pages, photos, handbills, and the like) make it totally addictive. This is hands down one of the strongest books of the year. To mangle the Velvets, down for me is up.

2 of 2 people found the following review helpful.
All Yesterday's Parties
By Anitta Santiago
Up Is Up But So Is Down is a book you have to turn over a lot, and I don't just mean in your head. You can see this already from the cover. Be careful reading it on the subway as you will inevitably hit someone with either the book or your elbow as you turn it round to read a particular zine cover or flyer or look at a picture or poster. This shifting and turning of the book makes you immediately aware of the fact that this is not just reading you are doing here. In a way, the words work a lot like the images and flyers and covers. You turn them over in order to see. Similarly, the images being related to print, you turn the images over in order to read. You are constantly reading and looking. The connection between text and image is palpable. In his introduction, editor Brandon Stosuy calls the book a "snapshot," and I recall the Eudora Welty quote "A good snapshot stops a moment from running away."

Is this what the book sets out to do and does it succeed? On the one hand, there is a clear sense that the moment is gone. Much of the writing, Stosuy notes is out of print, overlooked, forgotten and never even known beyond its first publication. The introduction details how it could not be any other way. The book chronicles a literature that from its inception had been running away. From ad hoc performances to self-made, self distributed zines, permanency at no point seemed part of the consciousness of the scene. Time, however, is certainly in the consciousness of the book, and with the book, gets turned over a lot as well. Reading Edward Sanders' 1975 poem "The Age," one feels the tragic resonances with the present day ("criminals of the right will rise up...to chop up candidates in the name of some person-with-a-serotonin-imbalance's moan of national security"), and where Sanders' "Age" differs from ours ("this is the poets' era), that, too, is tragic. A conversation between Gerard Malanga, Lisa Falour, and Lynn Tillman makes you feel intimately part of a life you most likely never lived as you eavesdrop on conversations about bondage photography and Andy Warhol. As you eavesdrop, though, there are these peculiar moments, Tillman saying "I never lasted long enough to see that," Falour responding, "you missed a great scene." They are talking about a film, one written for Malanga but of which he does not have a copy, as it was borrowed and never returned. This little snapshot, if you will, already suggests the ephemerality, that the scene (downtown, not the movie) was already bound up with "never [lasting] long enough," "missed," lost and never returned, that it was already running way.

If the scene is already conscious of its running away, the early to mid-80s run seems to say along with Spalding Gray, "why rush it?" The largest section of the book, here downtown writing seems to be basking in its self, for its limited time only. The beginning poem Miguel Pinero's Lower East Side poem, could not be more representative. From a consciousness of mortality and ephemerality comes a eulogy to the Lower East Side, to downtown. Reading right along, literary experimentation reaches new horizons as Holly Anderson invents new visions of form, the engagement of the cultural and political climate of the post-Cold War continues to fuel the counterculture. Downtown is at its most downtown. The majority of the writings are marked by New York and/or time even in their very titles. Its provinciality is brought even closer to home as New York is narrowed to Avenue A, Third Avenue, St. Mark's, the Bowery etc. Modern Saint, Modern Romance, Newspaper Poem, Red Tape's Assembl-Age all point to a particular moment in time, that being the present moment. There are two sides to this insular scope. On the one hand, there is much writing that in its content, from sexual relationships to the meeting of strangers to sexual meetings between strangers, treats the isolation and loneliness endemic to the city and to counterculture. On the other hand, the writing itself is rooted in its insular community. Writers dedicate stories to other writers, as in Molinaro's "AC-DC" for Bruce Benderson, and the collective the Unbearables forms. This is made visible, too, in the flyers advertising readings and parties, the names that come together time and again, together in downtown. The party goes on and the band plays on. By the late 80s the community is shaken by the AIDS virus and that early consciousness of mortality and death ends in eulogies to Cookie Mueller. By the nineties you have memories and more eulogies, memorial poetry readings, and the literature of survivors.

Two of the most powerful images in the book are these index card/postcard flyers for an Eileen Myles reading. The first one written out by hand advertises that her reading will be on Friday, March 13th. The second, written in what looks like crayon, reads "Oops" and says the event will take place the 12th. There is something about looking at these makeshift scribbled postcards in this sturdy volume. No, it tells you nothing about the event itself, whenever or if ever it did happen. You can wonder about the guy who got the first postcard and not the second and realize that it was possible to "miss the scene" even then. The scene was always running away and could not be stopped because the scene was exactly the running away. But Up Is Up But So Is Down is that picture postcard the scene sends to you from wherever it was off to, saying, "wish you were there." Reading it, you'll wish you were there, too, and having read it, you'll cherish that at least you have the postcard. [...]

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Rabu, 27 Agustus 2014

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Constructing Black Selves: Caribbean American Narratives and the Second Generation (Nation of Nations), by Lisa Diane McGill

In 1965, the Hart-Cellar Immigration Reform Act ushered in a huge wave of immigrants from across the Caribbean—Jamaicans, Cubans, Haitians, and Dominicans, among others. How have these immigrants and their children negotiated languages of race and ethnicity in American social and cultural politics? As black immigrants, to which America do they assimilate?

Constructing Black Selves explores the cultural production of second-generation Caribbean immigrants in the United States after World War II as a prism for understanding the formation of Caribbean American identity. Lisa D. McGill pays particular attention to music, literature, and film, centering her study around the figures of singer-actor Harry Belafonte, writers Paule Marshall, Audre Lorde, and Piri Thomas, and meringue-hip-hop group Proyecto Uno.

Illuminating the ways in which Caribbean identity has been transformed by mass migration to urban landscapes, as well as the dynamic and sometimes conflicted relationship between Caribbean American and African American cultural politics, Constructing Black Selves is an important contribution to studies of twentieth century U.S. immigration, African American and Afro-Caribbean history and literature, and theories of ethnicity and race.

  • Sales Rank: #1762675 in Books
  • Brand: Brand: NYU Press
  • Published on: 2005-11-01
  • Released on: 2005-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .88" w x 5.98" l, 1.27 pounds
  • Binding: Hardcover
  • 318 pages
Features
  • Used Book in Good Condition

Review

“This book is a welcome addition to the new scholarship on Caribbean migration and in particular to the burgeoning interest in second-generation Caribbeans in America.”
-New West Indian Guide



“Moving against the traditional grain of migration scholarship in the United States, McGill forges a compelling cross-sectional dialogue among the languages, discourses, and cultural experiences of native-born and immigrant blacks in the twentieth century.”
-Multicultural Review

About the Author

Lisa D. McGill received her doctorate in American Studies at Yale University. She is the principal of LM Strategies Consulting, a diversity and equity consultancy in Illinois.

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Senin, 25 Agustus 2014

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Filipino American Faith in Action: Immigration, Religion, and Civic Engagement, by Joaquin Jay Gonzalez

Filipinos are now the second largest Asian American immigrant group in the United States, with a population larger than Japanese Americans and Korean Americans combined. Surprisingly, there is little published on Filipino Americans and their religion, or the ways in which their religious traditions may influence the broader culture in which they are becoming established.

Filipino American Faith in Action draws on interviews, survey data, and participant observation to shed light on this large immigrant community. It explores Filipino American religious institutions as essential locations for empowerment and civic engagement, illuminating how Filipino spiritual experiences can offer a lens for viewing this migrant community’s social, political, economic, and cultural integration into American life. Gonzalez examines Filipino American church involvement and religious practices in the San Francisco Bay Area and in the Phillipines, showing how Filipino Americans maintain community and ethnic and religious networks, contra assimilation theory, and how they go about sharing their traditions with the larger society.

  • Sales Rank: #2833528 in Books
  • Published on: 2009-02-01
  • Released on: 2009-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .58" w x 6.00" l, .70 pounds
  • Binding: Paperback
  • 224 pages

Review

“Breaks new ground in Asian American Studies and more broadly in migration studies by illustrating the transnational and intergenerational civic engagement of migrants through religion. . . . An eminently important study that expands our knowledge of Filipino migrant settlement in the United States.”
-Rhacel Salazar Parrenas,author of The Force of Domesticity: Filipina Migrants and Globalization



“;In this academic page turner Gonzalez blends rich ethnographic descriptions with theoretical sophistication. Filipino American Faith in Action is THE book on the importance of religion for the Filipino migrant community. Gonzalez breaks new ground in the emerging field of religion and immigration with his use of diverse theoretical tools and compelling narratives. A must read.”

-Lois Ann Lorentzen,author of The Gendered New World Order: Militarism, the Environment and Development



“The ‘missionized’ and ‘diasporized’ Christians of the global South are here in our midst . . . transforming the social, religious, and political landscape in places they are finding receptive soils, and . . . challenging us to think and act in new ways. Gonzalez’s work speaks of this reality not in abstraction, but through the breathing stories of Filipino diaspora Christian communities in San Francisco, California. Finally, a book that I have been waiting for has arrived.”
-Eleazar S. Fernandez,Professor of Constructive Theology, United Theological Seminary of the Twin Cities, Minnesota

About the Author

Joaquin Jay Gonzalez is Associate Professor of Politics and Director of the Yuchengco Philippine Studies Program at the University of San Francisco. After the September 11 terrorist attacks, he was appointed San Francisco Commissioner for Immigrant Rights and Mayor George Christopher Chair in Public Administration at Golden Gate University. He is the author or co-author of several books, including On the Corner of Bliss and Nirvana; Welcome to the Philippines; and Governance Innovations in the Asia-Pacific Region.

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