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> Free Ebook Crip Theory: Cultural Signs of Queerness and Disability (Cultural Front), by Robert McRuer

Free Ebook Crip Theory: Cultural Signs of Queerness and Disability (Cultural Front), by Robert McRuer

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Crip Theory: Cultural Signs of Queerness and Disability (Cultural Front), by Robert McRuer

Crip Theory: Cultural Signs of Queerness and Disability (Cultural Front), by Robert McRuer



Crip Theory: Cultural Signs of Queerness and Disability (Cultural Front), by Robert McRuer

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Crip Theory: Cultural Signs of Queerness and Disability (Cultural Front), by Robert McRuer

Crip Theory attends to the contemporary cultures of disability and queerness that are coming out all over. Both disability studies and queer theory are centrally concerned with how bodies, pleasures, and identities are represented as “normal” or as abject, but Crip Theory is the first book to analyze thoroughly the ways in which these interdisciplinary fields inform each other.

Drawing on feminist theory, African American and Latino/a cultural theories, composition studies, film and television studies, and theories of globalization and counter-globalization, Robert McRuer articulates the central concerns of crip theory and considers how such a critical perspective might impact cultural and historical inquiry in the humanities. Crip Theory puts forward readings of the Sharon Kowalski story, the performance art of Bob Flanagan, and the journals of Gary Fisher, as well as critiques of the domesticated queerness and disability marketed by the Millennium March, or Bravo TV’s Queer Eye for the Straight Guy. McRuer examines how dominant and marginal bodily and sexual identities are composed, and considers the vibrant ways that disability and queerness unsettle and re-write those identities in order to insist that another world is possible.

  • Sales Rank: #530164 in Books
  • Published on: 2006-06-01
  • Released on: 2006-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 6.00" l, .90 pounds
  • Binding: Paperback
  • 301 pages

Review

“This well-annotated text invites the uninitiated reader to become involved, to reimagine previously held perceptions of what may be considered ‘otherness,’ to welcome disabilities, to access collectively other worlds and future possibilities.”
-Journal of American Studies



“Engaging, expansive, and generous.”
-Sex Roles



“A wonderful combination of humor, theory, intellectual, and personal insights . . . A valuable and well-written study.”
-Disability Studies Quarterly



“A compelling case that queer and disabled identities, politics, and cultural logics are inexorably intertwined, and that queer and disability theory need one another…. Makes clear that no cultural analysis is complete without attention to the politics of bodily ability and alternative corporealities.”
-Elizabeth Freeman,author of The Wedding Complex



“McRuer charts new intersections for disability studies, queer studies, and American studies. His work is [at its] most vertiginous and rich . . . as he moves swiftly from cinema to street gangs to coming out Crip.”
-American Quarterly



“The members of the Committee were especially impressed by McRuer’s original intervention in the area of queer studies, one that not only sheds light on the important new area of disability studies, but brings it into conversation with a variety of disciplinary perspectives, from composition studies to performance art. McRuer’s book combines the public and the private work of queer studies in surprisingly new ways.”

-Ed Madden,Gay and Lesbian Caucus for the MLA



“Important and significant for its attempt to find the common ground between disability studies and queer studies. This deftly written and very readable book will appeal to a wide range of readers who are increasingly fascinated by the biocultural interplay between the body, sexuality, gender, and social identity.”
-Lennard Davis,author of Bending Over Backwards

About the Author
Robert McRuer is Professor of English at The George Washington University. He is the author of The Queer Renaissance: Contemporary American Literature and the Reinvention of Lesbian and Gay Identities (also available from NYU Press) and co-editor, with Abby L. Wilkerson, of Desiring Disability: Queer Theory Meets Disability Studies, a special issue of GLQ.

Most helpful customer reviews

7 of 12 people found the following review helpful.
Resistance
By tamiii
I read this about a year ago. It has taken me this long to digest and appreciate this intriguing book. When I first started to talk about it with older gay men, the reaction was visceral anger. Naturally, homosexual men have struggled against being classified as pathological, celebrating the elimination of homosexuality as a disorder from the psychiatrist's catalogue of pathologies. Some see it as a step backwards from the march toward assimilation, a goal which I do not share.

Yet, there has to be a realistic discussion about seropositivity and the struggles of those who likewise seek access but are barred for other 'disabilities.' Further, there are parallels to be found in class struggle, particularly the need in the U.S. for a national health plan, employment, housing, and the whole lot of things for which people are seeking 'access.'

The author here claims 'crip' in the same way that some claim 'queer.' They are labels applied to segregate out and strip people from access to the very things needed for survival. There is simply too much in common between the various and numerous abject peoples not to notice. Not least, the way in which those terms can be turned around, claimed, and used to resist.

This having been said, I am doubtful how much can be achieved in a classroom. As the old saying went: class consciousness is knowing which side you are on; class struggle is knowing who is there with you. This is a step toward recognizing allies.

3 of 3 people found the following review helpful.
Solid grounding in radical theory and new crip/queer ideas
By J. Avory Faucette
Densely theoretical but readable for someone college-educated and immersed in either queer ideas or disability language, this book is fantastic in its imaginative scope and evoking of solid examples. Berube hops among artists, writers, performers, and academics to develop a crip theory that refuses to assimilate and focuses on shaking things up both for the queer world and for people with disabilities. I couldn't stop highlighting passages and ideas to explore at a later date. Those who don't have graduate school experience may find some of the book a little difficult to navigate, but it's accessible as theoretical works go and worth picking through for anyone with an interest in disabilities and queerness, and especially those living at the intersections of the two.

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