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Debates about Irish culture have long been plagued by neat oppositions between conquering England and colonized Erin, Protestant and Catholic, stolid Saxon and dreamy Celt. Yet the greatest Irish poets have scorned such simplicities.
In this avowedly interpretative anthology of Irish verse, W.J. McCormack traces creativity of contradiction through several centuries, finding poets productively at odds with their forebears, their contemporaries—even with themselves. From Yeats's tragic laughter to the quieter ironies of Seamus Heaney, from the rambunctious narratives of Merriman and Joyce to the pathos of Wilde's Reading Gaol, the same sparring spirit is found.
This exciting anthology brings together the very best in Irish poetry to reveal a broad yet sharply-focused tradition of diversity and dissidence. W.J. McCormack's compelling collection provokes a wide-ranging reconsideration of one of the world's richest literatures.
- Sales Rank: #5556508 in Books
- Brand: Brand: NYU Press
- Published on: 2002-04-01
- Released on: 2002-04-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .95" w x 6.00" l, 1.42 pounds
- Binding: Paperback
- 355 pages
- ISBN13: 9780814756683
- Condition: Used - Very Good
- Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Kirkus Reviews
Mc Cormack, a professor of literary history at the University of London, has woven together a fascinating and problematic anthology. The subtitle, tailored to the American edition, is something of a non sequitur, since the selection includes only one poet before Swift, but 28 after Yeats. “Interpretive” refers to Mc Cormack’s goal, as he states it in the introduction, of demonstrating “how Irish literature can be read, not just as a national history, but also as a less orderly and more unexpected series of assaults, dialogues, embraces, exchanges, and propositions.” The selections are often avowedly sectarian and provocative, but the virtual absence of biographical information or critical notes—crucial for any American edition of such a politically oriented book—obscures the poems’ sometimes surprising relationships. Also confusing is the anthology’s inconsistent approach to its treatment of poems in Gaelic, some presented in English with the original Gaelic, others exclusively in English, and one just in Gaelic. One may always complain too about omissions—Paul Muldoon and Nuala Ní Dhomhnaill spring to mind—but, as a whole, Mc Cormack’s painstaking selection does justice to the panoply of Irish poets, from the bardic pronouncements of Aodhagán Ó Rathaille to the slyly conventional sonnets of Lady Gregory to poems by moderns like Seamus Heaney, Eavan Boland, and Derek Mahon. The inclusions from Yeats and Joyce highlight a political engagement that frequently goes unnoticed in selections of their work. Perhaps most satisfying is the generous sampling of marvelous long poems like Brian Merriman’s Midnight Court (translated by Frank O’Connor), Austin Clarke’s Orphide, and Patrick Kavanagh’s Great Hunger—alongside Oscar Wilde’s more famous Ballad of Reading Gaol. The poems in this volume do indeed reflect a national history, messy and complex, strident and joyful in the most tragic of circumstances. -- Copyright © 2000 Kirkus Associates, LP. All rights reserved.
Review
“McCormack's painstaking selection does justice to the panoply of Irish poets [and] does indeed reflect a national history, messy and complex, strident and joyful in the most tragic of circumstances.”
-Kirkus Reviews“Dr. McCormack’s anthology is must reading for anyone who delights in the imaginative mind of the poet.”
-Council on National Literatures About the Author
W.J. McCormack is Professor of Literary History at the University of London and head of the English Department at Goldsmith's College.
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