Rabu, 12 Agustus 2015

^^ Get Free Ebook Black in Latin America, by Henry Louis Gates Jr.

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Black in Latin America, by Henry Louis Gates Jr.

Selected as a 2012 Outstanding Title by AAUP University Press Books for Public and Secondary School Libraries
12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences.

Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.

In Brazil, he delves behind the façade of Carnaval to discover how this ‘rainbow nation’ is waking up to its legacy as the world’s largest slave economy.

In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro’s Communist revolution in 1959.

In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves’s hard fought liberation over Napoleon Bonaparte’s French Empire became a double-edged sword.

In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru.

Professor Gates’ journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. “Black in Latin America” is the third instalment of Gates’s documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.

  • Sales Rank: #638224 in Books
  • Brand: Brand: NYU Press
  • Published on: 2012-09-01
  • Released on: 2012-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .68" w x 6.00" l, .99 pounds
  • Binding: Paperback
  • 270 pages
Features
  • Used Book in Good Condition

Review
"it offers general readers a snapshot perspective on the history and life of New World blacks and legacies of slavery, plantation economics, and poverty"-Library Journal

"Black in Latin America provides a different in-depth survey of the African migration to the New World."-The Midwest Book Review

"An entertaining alternative to the chronologically framed textbook...in a folksy vernacular [the book] recounts a great range of historical events and actors, offering a wonderful level of detail without overly challenging the novice audience."-Micol Seigel,The Journal of American History

"Gates expands his focus on the black experience in Latin America...While Gates’ tour reveals a burgeoning brown (mixed-race) pride, it also reveals lingering valuation of lighter skin." -Booklist

"Black in Latin America would be an interesting companion to any guidebook for the Caribbean and Latin America,as it reveals not just a hidden history but also an evolving sense of identity."-Associated Press

"In approaching this vast topic, Gates displays disarming modesty and enthusiasm; his tone is that of a letter from a perceptive friend who can't wait to share what he's learned."-The New Yorker

"An entertaining alternative to the chronologically framed textbook, [Gates's] approach has its advantages."-Micol Seigel,Journal of American History

“Black in Latin America is a lively and intelligent introduction to the complex history and reality of race in Latin America. Readers accompany Gates as he travels across the region interviewing scholars, activists, cultural figures, and ordinary people who share their insights and experiences—often surprising, at times painful—of how creolization, discrimination, and anti-racism have evolved historically and are lived in the present.” -Ada Ferrer,author of Insurgent Cuba: Race, Nation, and Revolution, 1868-1898

“A fascinating and engaging journey through past and present, this book offers us a rich portrait of the complexities of race as it is lived in contemporary Latin America. Gates is the perfect guide, sharing his insights, emotions and surprises with eloquence and candor.”-Laurent Dubois,Duke University, and author of Avengers of the New World: The Story of the Haitian Revolution

"Gates doesn't linger in the past. Through music, cuisine, art, dance, politics, religion and language, he finds living links to Africa...would be an interesting companion to any guidebook for the Caribbean and Latin America." -Jennifer Kay,Associated Press

“An amazing travelogue that swiftly transports the reader from the sixteenth to the twentieth centuries through the racial histories of Brazil, Mexico, Peru, Cuba, the Dominican Republic, and Haiti. Henry Louis Gates, Jr., brilliantly describes the formation of these New World societies as they evolved from colonialism and slavery into complex national communities with rich and vibrant Creole cultures. This is an essential book that helps us understand the similarities and differences between post-slavery societies in the Americas today.” -Frank Moya Pons,author of History of the Caribbean: Plantations, Trade, and War in the Atlantic World

“Henry Louis Gates, Jr., leads us on a country-by-country tour exploring the recesses of blackness in well-known and lesser-known regions of Latin America, surprising us at every turn with his findings. Through the pages of the book, we embark upon a process of historical discovery, learning as Gates does from his informants and sources. Accessible, witty, insightful, and informative, both for its regional coverage and its comparative analysis, this book will be welcomed by scholars and laypersons alike.”-Ben Vinson III,Johns Hopkins University

About the Author

Henry Louis Gates, Jr., is the director of the W. E. B. Du Bois Institute for African and African American Research and holder of the distinguished title of Alphonse Fletcher University Professor at Harvard University. He is the author of twelve books, including several award-winning works of literary criticism as well as the memoir Colored People; The Future of the Race, co-authored with Cornel West; Thirteen Ways of Looking at a Black Man; and Tradition and the Black Atlantic. Gates has hosted ten PBS television specials, including Looking for Lincoln and the two part series, African American Lives, upon which his book In Search of Our Roots (2009) was based. He is winner of the 2009 Ralph Lowell Award for Outstanding Contributions to Public Television and the 2010 NAACP Image Award for Non-Fiction.

Most helpful customer reviews

10 of 10 people found the following review helpful.
A must for anyone interested in black history and Latin America
By John R. Washington
This book provided profound insights into Latin American history, and a greater understanding of race as well as black identity in the Americas. Gates continues to make major contributions into the understanding of what it means to be black in the Americas, and has singularly corrected our U.S. centrism regarding black slavery.

6 of 6 people found the following review helpful.
well-kept secret
By Terrid
Professor Gates has exposed a well-kept secret by investigating the African heritage prevalent in Latin and South America, including Brazil, Mexico, Peru, the Dominican Republic, Haiti and Cuba. For those of us who are researching our family backgrounds, this book brings validation as well as an introduction to the history and cultures of these countries. My mestizo ancestry (African, Yaqui, Sephardic) lies mostly in Mexico, so of course I would have liked more coverage of that country in his book, but Professor Gates had a lot to cover in a short period of time. His book is a companion piece to his PBS programs on the same subject. As slavery and its aftermath in Latin and South America is a relatively new subject to most people, Professor Gates peels back the layers, showing his own discovery and tendency to compare these countries to ours. One difference, of course, is there was much more mingling of the races below our southern border, which shows in the vestiges of the people and in their customs. Hopefully, his book will open the door to more studies of this very intriguing subject.

8 of 10 people found the following review helpful.
a scholar's personal examination of race in Latin America
By hmf22
This insightful book recounts Gates's personal quest to find out what it means to be black in other regions of the Americas, the regions in which 95% of enslaved migrants from Africa to the New World landed. Gates scrutinizes three mainland Latin American nations--Mexico, Brazil, and Peru--and three Caribbean nations, the Dominican Republic, Haiti, and Cuba. He considers the blending of African and Hispanic traditions in religion, music, and art, why Latin American societies have so many different words for mixed-race peoples, why individuals are often categorized in ways that do not accurately reflect their actual ethnic roots, and whether it is true that, as many Latin American governments have claimed, Latin America does not have the sort of racial conflict and discrimination that the United States has long struggled with. Up-to-date, amply illustrated with black-and-white photographs, and full of wonderful stories that make it a page-turner.

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Sabtu, 08 Agustus 2015

@ Download New Jews: The End of the Jewish Diaspora, by Caryn S. Aviv, David Shneer

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New Jews: The End of the Jewish Diaspora, by Caryn S. Aviv, David Shneer



New Jews: The End of the Jewish Diaspora, by Caryn S. Aviv, David Shneer

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New Jews: The End of the Jewish Diaspora, by Caryn S. Aviv, David Shneer

For many contemporary Jews, Israel no longer serves as the Promised Land, the center of the Jewish universe and the place of final destination. In New Jews, Caryn Aviv and David Shneer provocatively argue that there is a new generation of Jews who don't consider themselves to be eternally wandering, forever outsiders within their communities and seeking to one day find their homeland. Instead, these New Jews are at home, whether it be in Buenos Aires, San Francisco or Berlin, and are rooted within communities of their own choosing. Aviv and Shneer argue that Jews have come to the end of their diaspora; wandering no more, today's Jews are settled.

In this wide-ranging book, the authors take us around the world, to Moscow, Jerusalem, New York and Los Angeles, among other places, and find vibrant, dynamic Jewish communities where Jewish identity is increasingly flexible and inclusive. New Jews offers a compelling portrait of Jewish life today.

  • Sales Rank: #1322981 in Books
  • Brand: Brand: NYU Press
  • Published on: 2005-12-01
  • Released on: 2005-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .53" w x 5.98" l, .68 pounds
  • Binding: Paperback
  • 215 pages
Features
  • Used Book in Good Condition

Review

“New Jews is a thoughtful, persuasive case for why the Diaspora matters.”
-Secular Culture



“New Jews makes the provocative argument that the Israel-Diaspora dichotomy no longer exists. In a series of engaging ethnographies of Jewish communities in America, Russia and Israel, Aviv and Shneer reveal a new generation of Jews embarked on a renaissance liberated from old ideologies and committed to creating homes where they live. A celebration of pluralism, this sure-to-be controversial book finds Jewish unity not in slogans but in the common search for new identities.”
-David Biale,author of Cultures of the Jews: A New History



“This is a wide-ranging work . . . there is a definite shift afoot in thinking about matters of Jewish identity, and this is a worthwhile and useful effort toward articulating new directions.”
-Central Conference of American Rabbis Newsletter



“Examining locations as diverse as New York, San Francisco and Moscow, Aviv and

Most helpful customer reviews

3 of 4 people found the following review helpful.
Hey, The Diaspora is Over
By Eric Maroney
Caryn Aviv and David Shneer's book, New Jews: The End of the Jewish Diaspora, is probably more provocative in its sub-title than in its main title.

The cozy and snug dichotomy between Israel and the Diaspora has been a fixture in modern Jewish life since the creation of Israel in 1948, and in religious Judaism, it is the cornerstone of most, if not all, messianic strains in the religion.

The book is an attempt, in the post-modern style, to topple the simple hierarchical binaries of us and them, male and female, Jew and Gentile, the chosen and the unchosen. It takes a slice of Jewish life usually marginalized in other studies, the Jews of Moscow (aren't they all gone?), Jewish tourism in Europe and Israel, the new movement toward Jewish museums as growing centerpieces of American Jewish identity (with an emphasis on Los Angeles, the third largest Jewish city), Queer Jews, and finally New York as the premier Jewish city in the world.

What this book does is little more than try to peel back some of the Zionist ideological assumptions that the Diaspora is a dead end; that galut is only a temporary state; that eventually, assimilation or antisemitism awaits Jews everywhere outside of Israel. It stresses that Jews are making contributions to Jewish life even outside the Jewish state, and in some ways, ones that are more radical and groundbreaking.

10 of 14 people found the following review helpful.
Great book!
By Zach
These are the authors who wrote Queer Jews, if you've read or heard of that. It's basically a series of articles about how Jews have put down roots all over the world, that those roots are centers of Jewish life, and that we should stop thinking of Israel as THE center. There are articles about queer Jews in New York and what it means to be gay in Israel versus the U.S., Russian Jews in Moscow and which Jewish organizations there are funded by international donors and how those differ from homegrown ones, an article about remembrance trips and trips to Israel for high school and college-aged Jewish students, an article about Holocaust museums and how the Holocaust gets portrayed as this special awful case where Jews are victims of the Worst Crime Ever, but everyone should pay attention because evil can be anywhere, and more. Anyway, I like the book a lot.

9 of 20 people found the following review helpful.
Israel is the heart of the Jewish people
By Shalom Freedman
It is true that the Jews have lived outside of Israel for over three- thousand years. It is also true that many Jews who live outside of Israel feel at home where they live, and have no intention or dream of living in Israel.

But it is also true that the central religious vision of Israel centers on a people living in the land of Israel. For those who live by Mitzvot living in Israel is mandated by the fact that only here can one do a maximum of Mitzvot. For those who connect deeply to the Promise and Covenant which are at the heart of the Biblical vision of the world it is clear that living in Israel and helping build a special society is the commandment of God.

There are other reasons for living in Israel including the fact that it is the only place in the world where one can live in a society that follows and breathes to the rhythm of the Hebrew Calendar.

While this book speaks about the variety of Diaspora communities and their pulsing life it minimizes the fact that assimilation, and intermarriage are constantly depleting the Jewish people in the Diaspora.

The Jewish community in Israel is the most rapidly growing large Jewish community in the world and it is expected that in less than two decades it will contain the majority of Jews in the world. In Israel intermarriage, and total assimilation are minimal. In fact Jews who come here from all over the world with minimal Jewish knowledge, deepen in Jewish knowledge and connection here.

It is however only fair to point out that Israel is today threatened by many forces, including those of radical Islam. There is no 'guarantee' that it is the safest place for a Jew to be. There is I believe only a guarantee that it is the place where one can take one's communal responsiblity as a Jew in the deepest and most serious way.

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Jumat, 07 Agustus 2015

# Download Convergence Culture: Where Old and New Media Collide, by Henry Jenkins

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Convergence Culture: Where Old and New Media Collide, by Henry Jenkins

Henry Jenkins at Authors@Google (video)

Winner of the 2007 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award

2007 Choice Outstanding Academic Title

Convergence Culture maps a new territory: where old and new media intersect, where grassroots and corporate media collide, where the power of the media producer and the power of the consumer interact in unpredictable ways.

Henry Jenkins, one of America’s most respected media analysts, delves beneath the new media hype to uncover the important cultural transformations that are taking place as media converge. He takes us into the secret world of Survivor Spoilers, where avid internet users pool their knowledge to unearth the show’s secrets before they are revealed on the air. He introduces us to young Harry Potter fans who are writing their own Hogwarts tales while executives at Warner Brothers struggle for control of their franchise. He shows us how The Matrix has pushed transmedia storytelling to new levels, creating a fictional world where consumers track down bits of the story across multiple media channels.Jenkins argues that struggles over convergence will redefine the face of American popular culture. Industry leaders see opportunities to direct content across many channels to increase revenue and broaden markets. At the same time, consumers envision a liberated public sphere, free of network controls, in a decentralized media environment. Sometimes corporate and grassroots efforts reinforce each other, creating closer, more rewarding relations between media producers and consumers. Sometimes these two forces are at war.

Jenkins provides a riveting introduction to the world where every story gets told and every brand gets sold across multiple media platforms. He explains the cultural shift that is occurring as consumers fight for control across disparate channels, changing the way we do business, elect our leaders, and educate our children.

  • Sales Rank: #85236 in Books
  • Brand: Brand: NYU Press
  • Published on: 2008-09-01
  • Released on: 2008-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 368 pages
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From Publishers Weekly
Henry Jenkins, founder and director of MIT's comparative media studies program, debunks outdated ideas of the digital revolution in this remarkable book, proving that new media will not simply replace old media, but rather will learn to interact with it in a complex relationship he calls "convergence culture." The book's goal is to explain how convergence is currently impacting the relationship among media audiences, producers and content, a far from easy undertaking. As Jenkins says, "there will be no magical black box that puts everything in order again." Jenkins takes pains to prove that the notion of convergence culture is not primarily a technological revolution; through a number of well-chosen examples, Jenkins shows that it is more a cultural shift, dependent on the active participation of the consumers working in a social dynamic. He references recent media franchises like Survivor, The Matrix, and American Idol to show how the new participatory culture of consumers can be utilized for popular success and increased exposure. Jenkins' insights are gripping and his prose is surprisingly entertaining and lucid for a book that is, at its core, intellectually rigorous. Though wordy at times, Jenkins' impressive ability to break down complex concepts into readable prose makes this study vital and engaging.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"Remarkable . . . Jenkins’ insights are gripping and his prose is surprisingly entertaining and lucid for a book that is, at its core, intellectually rigorous . . . Jenkins’ impressive ability to break down complex concepts into readable prose makes this study vital and engaging."
- Publishers Weekly



"Jenkins is an astute observer of media culture and his insights are spot-on."
- The Los Angeles Times



"For any Sony PS3 execs out there wondering why their technological masterpiece is being ridiculed by customers before its even released . . . Convergence Culture is a must read . . . Jenkins offers numerous insights on how technology and media professionals can forge better relationships with their customers."
- Slashdot



"Jenkins tries to bring clarity to cultural changes that are melting and morphing into new shapes on an hourly, daily, weekly, monthly basis. Convergence Culture provides a view that looks at the restless ocean and tracks the currents rather than just looking at the individual rocks on the beach."
- The McClatchy Newspapers



"One of those rare works that is closer to an operating system than a traditional book: it’s a platform that people will be building on for years to come. What’s more, the book happens to be a briskly entertaining read--as startling, inventive, and witty as the culture it documents. It should be mandatory reading for anyone trying to make sense of today’s popular culture—but thankfully, a book this fun to read doesn't need a mandate."
- Steven Johnson, author of the national bestseller, Everything Bad Is Good For You

About the Author
Henry Jenkins is the Provost’s Professor of Communication, Journalism, Cinematic Arts and Education at the University of Southern California.

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2 of 2 people found the following review helpful.
OMG it's incredible!
By Dean van Halen
I had never considered some of the points that Jenkins puts forth in this book. Convergence Culture is a book about many of the things that technology is incorporating into our lives that we are slowly taking for granted.

If you have ever been interested in how technology is changing how we view the world, this is a good book to look at. The chapters focusing on Survivor, The Matrix, and Harry Potter fanficton are all of great interest.

24 of 27 people found the following review helpful.
A different take on convergence
By J. Richard Stevens
I can't say enough good things about this book. Jekins critiques "traditional" convergence theory about converging media and argues that the instigator of convergence is the need for new patterns of consumption, not production. Each chapter addresses how fans of a particular program reorganize their media experiences to better participate in the discussion, analysis and, at times, production of future episodes or events.

Because he demonstrates through example, the text is approachable to the scholar and the layman alike. The subjects themselves make the read interesting, but Jenkins also brings his wisdom to bear at opportune moments. Highly reocmmmended for those who study media, culture or technology adoption.

57 of 71 people found the following review helpful.
Not Impressed
By James Carragher
Henry Jenkins says, in the Introduction to Convergence Culture, "This book is about the relationship between three concepts -- media convergence, participatory culture, and collective intelligence." He then defines the terms and, a few pages later, still in the Intro, writes, "My aim is...modest. I want to describe some of the ways that convergence thinking is reshaping American popular culture and, in particular, the ways it is impacting the relationship between media audiences, producers, and content."

In contrast to McLuhan who is bold to a fault in Understanding Media (read just before Convergence), but bold and not afraid to be wrong, and that's important. Jenkins aims low, way too low. "Modest" here translates to not trying very hard. His few pages on Wikipedia are very good indeed (he's a proponent, so am I). But otherwise, from Convergence Culture one learns:

1) people get information and entertainment from a variety of media,
2) people can get the same information from a variety of media,
3) fans are passionate about their TV shows and classic popular movies and books and some like and utilize spoilers,
and, repeatedly,
4) the program he directs at MIT studies these phenomena.

Sorry, that's not enough for me.

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Kamis, 06 Agustus 2015

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Culture Works: Space, Value, and Mobility Across the Neoliberal Americas, by Arlene Dávila

Culture Works addresses and critiques an important dimension of the “work of culture,”  an argument made by enthusiasts of creative economies that culture contributes to the GDP, employment, social cohesion, and other forms of neoliberal development. While culture does make important contributions to national and urban economies, the incentives and benefits of participating in this economy are not distributed equally, due to restructuring that neoliberal policies have wrought from the 1980s on, as well as enduring inequalities of race, class and nationality. The cultural economy promises to make life better, particularly in cities, but not everyone can take advantage of it for decent jobs.   Exposing and challenging the taken-for-granted assumptions around questions of space, value and mobility that are sustained by neoliberal treatments of culture, Culture Works explores some of the hierarchies of cultural workers that these engender, as they play out in a variety of settings, from shopping malls in Puerto Rico and art galleries in New York to tango tourism in Buenos Aires. Noted scholar Arlene Dávila brilliantly reveals how similar dynamics of space, value and mobility come to bear in each location, inspiring particular cultural politics that have repercussions that are both geographically specific, but also ultimately global in scope. 

  • Sales Rank: #1206493 in Books
  • Brand: Brand: NYU Press
  • Published on: 2012-04-16
  • Released on: 2012-04-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .61" w x 6.00" l, .80 pounds
  • Binding: Paperback
  • 241 pages
Features
  • Used Book in Good Condition

Review
"Culture Works looks deeply into and beyond the current rhetoric on art with an acuity and sense of irony and understanding of the realpolitiks that are all too rare in the cultural policy literature. Professor Dávila has given us a brilliant introduction and guide to the complex interactions of art, markets, politics, and community in the first part of the 21st century."-Paul DiMaggio,author of Nonprofit Enterprise in the Arts

"Culture Works challenges us to think critically about Latino/a culture and the men and women who create it every day. From shopping malls in Puerto Rico to art galleries in East Harlem and tango palaces in Bueños Aires, Arlene Dávila shows us the underbelly of a global political economy that gorges itself on authentic cultural forms and grinds them down into commodities. Dávila’s understanding of these complex forces illuminates the connections between all creative landscapes and the elites who try to mold them to their political will."-Sharon Zukin,author of Naked City: The Death and Life of Authentic Urban Places

"The author effectively dissects the contradictory and often deleterious impact of neoliberal development in promoting inequalities of race, class, and nationality, while at the same time encoding and keying the value of Latin American folk art traditions and cultural economies...highly recommended for all academic levels/libraries."-CHOICE

About the Author
Arlene Dávila is Professor of Anthropology and American Studies at NYU.  Her books include Culture Works: Space, Value and Mobility Across the Neoliberal Americas (2012) and Latino Spin: Public Image and the Whitewashing of Race (2008), both available from NYU Press.

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3 of 3 people found the following review helpful.
Cultural Transformation: From Inside and Out
By cnpk
Culture is organic, it is a product of the lives of people in a society: a fabric formed, voices unleashed from a the textures of human emotions, yearnings, desires and struggles, but most of all part of a product of daily living. Literature, music, dance, sitcoms, comedy, murals, protests, gatherings, traditions, and so on emerge from, and reflect that culture at any time.

Throughout history, people have attempted to influence, if not define culture. Emperors, dictators, critics, museums, rich, and elites have tried to inject their larger influence and personal views to mould or change cultures. In modern day, this trend continues through many similar sources of power, and that includes democratic governments, their funding agencies, multinationals, as well as tourists from richer economies. Neoliberal policies represent one such important influence.

While Dr. Davila explores neoliberal influences on latino culture, the concepts and ideas she develops could be widely applied in emerging countries. A shopping mall in Puerto Rico may be a community and cultural center, a place for society to connect and coalesce. These have happened naturally, further removed from the original goals of shopping. More shopping malls are no longer necessary for consumption or shopping, but the government's focus on incentivizing them over other concerns such as education, gives an example of influence. Ironically these very protests happen at the shopping mall. Perhaps, the community is just looking for a place of expression, modern day social places of gathering, expression and connection. And perhaps that yearning just happened to find its way into the largely available shopping malls.

The example in the book, where street artists are now regulated and forced to use materials even from other countries, and where 'aunthentic art' has become artificial, and the original artists are unable to make a living and allow their art to grow, is an excellent example of outside elite, commercial and government attempt to define art and culture, and thereby choking it, taking away it's authenticity.

Such influence is not limited to public policy. Grassroots organizations best represent the current trends in cultural thought. They are at the vanguard of voice and change within a culture. Yet, elite individuals and institutions within a culture, such as cultural academies and museums may have an outsized influence, and therefore not only receive a large share of limited economic support, but also sometimes unknowingly squelch the very vibrant culture they purport to represent. An example of that is the struggle of grassroots organizations in New York to justify themselves, or the discussions involving the design of a museum of the American latino is well illustrated in the book.

As a tango dancer, the sections that especially captured my interest were about the influence of tango tourism on the culture and life in Argentina, and in particular Buenos Aires. While Tango is a wonderful heritage that originated in Argentina, Dr. Davila captures the tensions inherent in the way tango tourists and expatriates influence the culture, while the local people sometimes are either unaware of the global influence of tango; and even among those who are aware, they desire to 'own' the authentic tango.

Such tensions reflect modern trends and examples of neoliberal pressures and influences on cultural evolution. Dr. Davila gives us this new and sometimes troubling trend of pressures on the organic and grassroots development of cultural ideas. She does not judge, but instead presents to us the conflicts and tensions inherent in modern society. The concepts while derived from examples in latino cultures, are nonetheless widely applied to others. One could see how the ideas can be applied to other cultural expresssions such as Yoga, Eastern spirituality and Buddhism, native arts, and others; many of which are under pressure due to external influences. Traditional notions of cultural evolution is under immense pressure from often well-intentioned outside influences. It will be interesting to observe and understand how the essence and natural evolution of bottom up cultures can be preserved.

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Rabu, 05 Agustus 2015

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History is replete with instances of what might, or might not, have been. By calling something contingent, at a minimum we are saying that it did not have to be as it is. Things could have been otherwise, and they would have been otherwise if something had happened differently. This collection of original essays examines the significance of contingency in the study of politics. That is, how to study unexpected, accidental, or unknowable political phenomena in a systematic fashion. Yitzhak Rabin is assassinated. Saddam Hussein invades Kuwait. Hurricane Katrina hits New Orleans. How might history be different had these events not happened? How should social scientists interpret the significance of these events and can such unexpected outcomes be accounted for in a systematic way or by theoretical models? Can these unpredictable events be predicted for? Political Contingency addresses these and other related questions, providing theoretical and historical perspectives on the topic, empirical case studies, and the methodological challenges that the fact of contingency poses for the study of politics.

Contributors: Sonu Bedi, Traci Burch, Jennifer L. Hochschild, Gregory A. Huber, Courtney Jung, David R. Mayhew, Philip Pettit, Andreas Schedler, Mark R. Shulman, Robert G. Shulman, Ian Shapiro, Susan Stokes, Elisabeth Jean Wood, and David Wootton

  • Sales Rank: #4770281 in Books
  • Brand: Brand: NYU Press
  • Published on: 2009-08-01
  • Released on: 2009-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .76" w x 6.00" l, .95 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

Review

“Clear, jargon-free writing prevails throughout the volume. The authors are leaders in their respective fields of inquiry, yet each of them writes not to a narrow group of specialists but to the intelligent reading public.”
-Elisabeth Ellis,author of Kant’s Politics: Provisional Theory for an Uncertain World

About the Author

Ian Shapiro is Sterling Professor of Political Science at Yale University, where he also serves as Henry R. Luce Director of the Yale Center for International and Area Studies. He is the editor or author of numerous books, most recently Political Contingency (NYU Press) and Rethinking Political Institutions (NYU Press).



Sonu Bedi is Assistant Professor of Government at Dartmouth College.

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Selasa, 04 Agustus 2015

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The School-to-Prison Pipeline: Structuring Legal Reform, by Catherine Y. Kim, Daniel J. Losen, Damon T. Hewitt

The “school-to-prison pipeline” is an emerging trend that pushes large numbers of at-risk youth—particularly children of color—out of classrooms and into the juvenile justice system. The policies and practices that contribute to this trend can be seen as a pipeline with many entry points, from under-resourced K-12 public schools, to the over-use of zero-tolerance suspensions and expulsions and to the explosion of policing and arrests in public schools. The confluence of these practices threatens to prepare an entire generation of children for a future of incarceration. In this comprehensive study of the relationship between American law and the school-to-prison pipeline, co-authors Catherine Y. Kim, Daniel J. Losen, and Damon T. Hewitt analyze the current state of the law for each entry point on the pipeline and propose legal theories and remedies to challenge them. Using specific state-based examples and case studies, the authors assert that law can be an effective weapon in the struggle to reduce the number of children caught in the pipeline, address the devastating consequences of the pipeline on families and communities, and ensure that our public schools and juvenile justice system further the goals for which they were created: to provide meaningful, safe opportunities for all the nation’s children.

  • Sales Rank: #772990 in Books
  • Published on: 2012-05-01
  • Released on: 2012-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 239 pages

Review

“Fills a much‒needed gap in the school‒to‒prison pipeline literature. There is very little information about legal strategies to interrupt the pipeline when you encounter reticent policy‒makers. This book provides just that, and covers all of the bases for doing so. As such, it is an invaluable resource for legal advocates working in the education and juvenile justice fields.”
-Randee J. Waldman,Barton Juvenile Defender Clinic, Emory Law



"This book is a real eye-opener. For anyone involved in any way with educating our youth, it is a must-read."-BIZ INDIA

"This startling book begins with the insight that criminal justice processes have come to dominate U.S. social institutions . . . this useful, in-depth guide to education and juvenile justice reform would complement more sociological texts that explore cultural or societal aspects of the pipeline."-J.S. Montgomery,Choice

“Increasingly, we must understand the production of structural disadvantage through a systems lens that focuses on the relationships between critical institutions rather than viewing them as distinct concerns. This incisive new work targets the interface between our K‒12 educational system and our juvenile and criminal justice systems with a fresh, unflinching account that is invaluable to lawyers, organizers and researchers alike.”
-John A. Powell,Executive Director of the Kirwan Institute for the Study of Race and Ethnicity and the Williams Chair in Civil Rights and Civil Liberties, Moritz College of Law, Ohio State University

About the Author

Catherine Y. Kim is a former attorney for the Racial Justice Program of the American Civil Liberties Union Foundation, National Legal Department. She currently teaches at the University of North Carolina School of Law at Chapel Hill.



Daniel J. Losen is a former lecturer at Harvard Law School and a senior education law and policy associate at The Civil Rights Project/Projecto Derechos Civiles at UCLA.



Damon T. Hewitt is Director of the Education Project at the NAACP Legal Defense and Educational Fund, Inc. (LDF) and founder of its “Dismantling the School‒to‒Prison Pipeline” initiative.

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Minggu, 02 Agustus 2015

? Free Ebook Representing the Race: A New Political History of African American Literature, by Gene Andrew Jarrett

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Representing the Race: A New Political History of African American Literature, by Gene Andrew Jarrett

Representing the Race: A New Political History of African American Literature, by Gene Andrew Jarrett



Representing the Race: A New Political History of African American Literature, by Gene Andrew Jarrett

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Representing the Race: A New Political History of African American Literature, by Gene Andrew Jarrett

The political value of African American literature has long been a topic of great debate among American writers, both black and white, from Thomas Jefferson to Barack Obama. In his compelling new book, Representing the Race, Gene Andrew Jarrett traces the genealogy of this topic in order to develop an innovative political history of African American literature. Jarrett examines texts of every sort—pamphlets, autobiographies, cultural criticism, poems, short stories, and novels—to parse the myths of authenticity, popular culture, nationalism, and militancy that have come to define African American political activism in recent decades. He argues that unless we show the diverse and complex ways that African American literature has transformed society, political myths will continue to limit our understanding of this intellectual tradition.

Cultural forums ranging from the printing press, schools, and conventions, to parlors, railroad cars, and courtrooms provide the backdrop to this African American literary history, while the foreground is replete with compelling stories, from the debate over racial genius in early American history and the intellectual culture of racial politics after slavery, to the tension between copyright law and free speech in contemporary African American culture, to the political audacity of Barack Obama’s creative writing. Erudite yet accessible, Representing the Race is a bold explanation of what’s at stake in continuing to politicize African American literature in the new millennium.

  • Sales Rank: #1583476 in Books
  • Published on: 2011-08-08
  • Released on: 2011-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .69" w x 6.00" l, .86 pounds
  • Binding: Paperback
  • 256 pages

Review
"There is much to learn from this project, for both experienced scholars and more casual readers."-Aldon Nielsen,Journal of American History

"In this tour de force, Jarrett offers us a strikingly fresh and powerfully cogent paradigm for African American literary history and historiography more generally. An exemplary model of interdisciplinary inquiry, Representing the Race deftly engages fierce historic and contemporary debates about the relationship between literature, culture and politics to bring us to new and nuanced understandings of them all. This latest scholarship of Jarrett’s is not only field-defining; it stunningly redefines altogether what we think of as the field of African American Studies."-Michele Elam,author of The Souls of Mixed Folk: Race, Politics and Aesthetics

"Author of Deans and Truants (2007) and editor of African American Literature Beyond Race (2006), Jarrett continues to challenge the traditional category of African American literature by examining its political history through David Walker's Appeal, Barack Obama's autobiographies, canonical works including Frederick Douglass and Ralph Ellison, and numerous genres of writing. Encompassing a wide range of time periods (starting with Thomas Jefferson and ending with Obama) as well as diverse categories of literature, the author is successful in answering his opening question—"What is the political value of African American literature?"—and he shows various instances in which literature served as a means for African Americans to exercise their political agency. Ultimately, Jarrett argues that literature has been not just a cultural but also a political way for African Americans to combat racism. Though it will challenge less-experienced readers, this engaging, well-written work will prove valuable for those interested in African American history/studies as well as in American literature."-Y. Kiuchi,CHOICE

"Gene Jarrett’s excellent new book, Representing the Race: A New Political History of African-American Literature (2011), gives precisely what its title promises. African-American literature and literary engagement is cast in the totalizing light of racial and political representation. The historical stakes are sweeping and the weight and force of Jarrett’s argument cannot be lightly tossed aside."-Mark Christian Thompson,American Literary History

"[Jarrett] makes a detailed, well-researched case for the importance of distinguishing between the long-standing practice of reading creative and intellectual writing as simply informally political—concerned with and critical of political conditions—and his scholarship, which argues that such writing (by figures including Frederick Douglass, Claude McKay, and Barack Obama) does formal political work—or works informally but clearly in tandem with the formal political activity that invigorates the frequently made claim that African American literature is political."-Evie Shockley,American Literature

"Gene Andrew Jarrett’s Representing the Race is an ambitious, engaging, and intelligent attempt to reconsider the relationship between African American literature and political history...Representing the Race should be of value to anyone interested in the political and social relevance of African American literature."-Andrew B. Leiter,Studies in American Culture

“Framed by an audacious pairing of ‘presidential bookends’ (Thomas Jefferson and Barack Obama), Representing the Race forces us to rethink our most basic assumptions about the putative political value of African American literature. Jarrett draws our attention away from the legacy of Black Arts in the 1960s to a richly historicized set of case studies from the colonial era to the present.”-Brent Hayes Edwards,Columbia University, and author of The Practice of Diaspora

About the Author
Gene Andrew Jarrett is Professor and Chair of the Department of English and Professor of African American Studies at Boston University. He is the author of Deans and Truants: Race and Realism in African American Literature, and the editor of several books, including African American Literature Beyond Race: An Alternative Reader, also published by NYU Press. He also won a Walter Jackson Bate fellowship from Harvard's Radcliffe Institute for Advanced Study in 2010.

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0 of 1 people found the following review helpful.
Gene Jarrett is a genius.
By Megan McNamara
Read his book and you'll see why. He provides a nuanced study of representations of race in African American literature and offers cogent analysis of a complex topic. He's my hero.

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