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Another Country: Queer Anti-Urbanism (Sexual Cultures), by Scott Herring
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The metropolis has been the near exclusive focus of queer scholars and queer cultures in America. Asking us to look beyond the cities on the coasts, Scott Herring draws a new map, tracking how rural queers have responded to this myopic mindset. Interweaving a wide range of disciplines—art, media, literature, performance, and fashion studies—he develops an extended critique of how metronormativity saturates LGBTQ politics, artwork, and criticism. To counter this ideal, he offers a vibrant theory of queer anti-urbanism that refuses to dismiss the rural as a cultural backwater.
Impassioned and provocative, Another Country expands the possibilities of queer studies beyond its city limits. Herring leads his readers from faeries in the rural Midwest to photographs of white supremacists in the deep South, from Roland Barthes’s obsession with Parisian fashion to a graphic memoir by Alison Bechdel set in the Appalachian Mountains, and from cubist paintings in Lancaster County to lesbian separatist communes on the northern California coast. The result is an entirely original account of how queer studies can—and should—get to another country.
- Sales Rank: #973875 in Books
- Published on: 2010-06-01
- Released on: 2010-06-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .65" w x 6.00" l, .80 pounds
- Binding: Paperback
- 256 pages
Review
"Herring has a distinctive voice, elegant with a sharp wit...a book that is as beautiful as it is brilliant." -The Journal of American History
“Writers, artists, and activists have worked throughout the past century to imagine and materialize sustainable queer lives everywhere from Oregon to Pennsylvania, from Iowa to Alabama. Herring provides the definitive account of the myriad ways that LGBT people have constituted non-urban sites as vibrant and sexy spaces of resistance to hetero- and homonormativity, to compulsory consumerism, and to entrenched hierarchies of race, class, gender, and ability. In so doing, Another Country redraws the map of contemporary queer studies.”
"Smart and edgy...the value of this book lies principally in the provocative conceptual tools it offers to articulate the roadblocks and raptures of queer migrations."-Amin Ghaziani,American Journal of Sociology
“Scott Herring presents an exquisitely detailed road atlas of the complicated intersection between topography and destiny.”
"In Another Country, Herring responds to gaps that urban-centered studies have left opened in queer histories . . . Herring's work evidences a fierce commitment to existing queer metropolitan-migration narratives, favoring the backward, rustic and unfashionable, and embracing these stereotypes for their own subversively disruptive potentials. His quality content analysis and skillful ability to anticipate counter-arguments and avoid intellectual pitfalls keeps the reader on her toes."-Jaime Cantrell,Feminist Formations
“Reading across the genres of literature, print and visual media, photography, and fashion, Scott Herring not only complicates the queer’s move from rural to urban space, but also the ways in which queers in ‘othered’ spaces enact an anti-urbanism through their own ‘rural stylistics.’ Another Country is fierce!”
About the Author
Scott Herring teaches in the Department of English at Indiana University. He is the author of Queering the Underworld: Slumming, Literature, and the Undoing of Lesbian and Gay History.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Metronormative Screed
By Edward Olivera
Open any of the gay glossies (the Advocate, Genre, Out, etc.) and you'll find page after page aimed specifically at your toned, urban, white, affluent, and above all young gay man. I have no problem with this other than the feeling that the contents of these magazines have always given me the sense that I exist in some other gay world, one where men are not so toned, who are overweight, rural, financially struggling, of color, and aging. I've waited a long time for a book like Another Country to be written. It is a long meditation on the assumptions made, not among heterosexuals but within the gay "community" (and I don't subscribe to any idea of some monolithic subculture we all exist in; this is indeed the biggest part of the problem) that we all share the same style of living.
Scott Herring attacks the dictates of commercial gay culture through a thorough and lively investigation of artistic and literary and expressions of anti-urban alternatives to the metronormative narrative. The book begins with a meditation on the difficulty of defining the difference between the urban and the rural, how there is no simple divide geographic or otherwise that assists us in establishing this difference other than the dismissive and ugly terms of approbation assigned to the non-metropolitan: hick, hayseed, and worse.
Herring takes a quote by gay literary icon Edmund White, about how "New York gays are justifiably proud of their status as taste-makers for the rest of the country," and reacts angrily: "While his snarky words may aim at the sexual assimilation of gay males across the lower forty-eight, they expand this minoritization into a universalizing model that believes itself 'distinctive of all homosexual persons.'" Herring doesn't propose, however, to reinforce the urban-rural binary but "is invested in tracking how non-metronormative subjects negotiated and upset this binary as it continues to inform queer social spaces..."
Herring's study takes a brief historical look at two writers (Willa Cather and James Weldon Johnson) and an artist (Charles Demuth) in order to examine the early twentieth-century roots of this phenomenon and then a more recent historical look at the immediate post-Stonewall reaction to metronormativity that was establishing itself in the early 1970s through the periodicals RFD and Country Women and comparing them to the newly emergent Advocate. This is well documented research and fascinating to trace the development of these early polarizations.
There is an arc being traced here, one that starts in the early twentieth century and continues through post-Stonewall history and whose ascendency and dominance has defined for many queer culture. The second half of the book examines more recent expressive reactions to metronormativity including the controversial photography of Micheal Mead's Southern subjects and the art of Alison Bechdel whose graphic narrative Fun Home is received with a warmth of critical understanding that is the book's apotheosis.
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