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Cinema of Outsiders: The Rise of American Independent Film, by Emanuel Levy
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A Los Angeles Times Bestseller
The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.
Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style.
Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience.
Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness.
Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."
- Sales Rank: #1253248 in Books
- Brand: Brand: NYU Press
- Published on: 2001-03-01
- Released on: 2001-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.62" w x 6.00" l, 1.93 pounds
- Binding: Paperback
- 601 pages
- Used Book in Good Condition
From Library Journal
As most contemporary moviegoers are aware, the indies (independent films) have been booming recently, with many like Pulp Fiction, Metropolitan, and Boogie Nights becoming major critical and box office hits. Levy (film and sociology, Arizona State Univ. West), a film critic for Variety magazine, first tries to define exactly what distinguishes the indie from a major American studio production and then examines the specific circumstances that have favored the indie boom. But the bulk of the book is a look at the directors or creators of these films and their work, both good and bad, and a survey of the various types of indie films being made. As the author hopes, this engaging look at the indies of the last 22 years will appeal to "educated people who go to the movies and are interested in knowing more about them." Highly recommended for public libraries and subject collections.AMarianne Cawley, Charleston Cty. Lib., SC
Copyright 1999 Reed Business Information, Inc.
Review
"Levy gives us a comprehensive examination of the American independent film movement, with a level-headed, in-depth assessment of the movies it has produced. This is an indispensable text for anyone who wants to understand the independent world."
-David Ansen ,Newsweek"Thoughtful and substantial."
-Stuart Klawans,The Nation"The time is ripe for an intelligent, informed, well-organized book on the world of independent cinema and Emanuel Levy has given us just that."
-Leonard Maltin"At a time when independent American films are more visible and important than ever before, this is an invaluable study. Emanuel Levy's writing is wise, passionate, and amazingly well-informed."
-Roger Ebert"The most detailed and up-to-date book on independent cinema, an invaluable reference work."
-Molly Haskell,The Washington Post About the Author
A senior film critic of Variety magazine, Emanuel Levy is a two-time president of the Los Angeles Film Critics Association, Professor of Film and Sociology at Arizona State University West, and the author of seven books, including the acclaimed biography, George Cukor: Master of Elegance.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Cinema of Outsiders
By Harvey S. Karten
"CINEMA OF OUTSIDERS: The Rise of American Independent Film"
A BOOK REVIEW by Harvey Karten, film_critic@compuserve.com
Emanuel Levy, "Cinema of Outsiders: The Rise of American Independent Film," New York: New York University Press, cl999, 601pp.
Emanuel Levy among those who prefer the challenging, edgy, sometimes outrageous movies that are released outside of the Hollywood studios' network. The author of six books with yet another, a biography of critic Andrew Sarris, in the works, Levy is a senior editor with "Variety" magazine. He does not at any time come right out and declare his partiality to the indies, but his passion for the concept of non-mainstream cinema (or at least for the good ones) surfaces on every page. Ironically, "Variety," the slick trade publication for the entertainment industry which regularly promotes and writes about the biggies, should be the last place Levy wouldembrace as a home. Yet the critic--who
habitually knocks out prescient reviews of the latest pictures using that publication's popular jargon such as "pix," "thesps," and "helmers"--has an overall contempt for the safe, for the movies made strictly to appeal to the lowest common denominator and therefore bring in the big bucks for the studios. This is not to say that he glorifies the entire independent ouevre. Discussing three hundred films albeit not in great depth, Levy gradually unfolds to the reader what he likes and what he does not among indies released from 1977 to the present and has the same disdain for poor quality individualistic films as he has for the blockbusters. He derides the studied, the predictable, the simplistic, the not credible, the subjects which are inadequate for full-length treatment, the charmless, the absent-of-wit--all the deadly sins for which blockbusters are often culpable.
The bulk of the 601-page text is taken up with an encyclopedic survey of indie films released during the past thirty-two years, the sort of scan you can find in most of the popular annuals which capsule-review cinematic output in alphabetical order. Neither alphabetical nor chronological, Levy's book treats the films thematically. Chapters have such titles as "Fathers and Sons," "The New York School of Indies," "The Resurrection of Noir," "Challenging Stereotypes," "The New Gay and Lesbian Cinema," "Female/Feminist Sensibility," and "The New African American Cinema." This body of commentary makes the book a must for public libraries and for the home bookshelves of all who have a passion for thoughtful, cutting-edge movies. While much of what Levy says is duplicated by Leonard Maltin, Roger Ebert, and David Thomson in annuals and studies that review and comment upon the pictures and their makers, Levy's commentary provides a distinctive voice, one which extols the independent movies to a greater degree than
do the other popular critics. I would have preferred that he downplay the laundry list of films in favor of presenting even more detail about trends in current cinema and the effect of these films on the audience and on the previously-ignored segments of the population regularly dealt with by these movies.
Copyright Harvey S. Karten
1 of 1 people found the following review helpful.
Very comprehensive, maybe too much?
By Brian J. Cipperly
This book is quite comprehensive, and appears to be one of the better ones in its genre. It covers a lot of directors and explains the contexts in which they worked quite adequately. The index/timeline features in the back are a nice touch for people doing research.
The only thing I really disliked about this book was the author's tendency to go on and on about a director's particular film--just when you think he's said enough about the movie, a few more paragraphs follow, which after a while one ends up wanting to skip over. I can see where this might be a useful feature, but for me it tended to break up the continuity of the text.
0 of 0 people found the following review helpful.
Five Stars
By Daniel Boatsman
It was made of paper and everything! Very readable!
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