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Enfant Terrible!: Jerry Lewis in American FilmFrom NYU Press
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The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing.
Enfant Terrible! Jerry Lewis in American Film is the first comprehensive collection devoted to one of the most controversial and accomplished figures in twentieth-century American cinema. A veteran of virtually every form of show business, Lewis's performances onscreen and the motion pictures he has directed reveal significant filmmaking talents, and show him to be what he has called himself, a "total filmmaker." Yet his work has been frequently derided by American critics.
This book challenges that easy reading by taking a more careful look at Lewis's considerable body of work onscreen in 16 diverse and penetrating essays. Turning to such films asThe Nutty Professor, The Ladies Man, The King of Comedy, The Delicate Delinquent, Living It Up, The Errand Boy, The Disorderly Orderly, Arizona Dream, and The Geisha Boy, the contributors address topics ranging from Lewis's on- and offscreen performances, the representations of disability in his films, and the European obsession with Lewis, to his relationship with Dean Martin and Lewis's masculinity. Far from an out of control hysteric, Enfant Terrible! instead reveals Jerry Lewis to be a meticulous master of performance with a keen sense of American culture and the contemporary world.
Contributors include: Mikita Brottman, Scott Bukatman, David Desser, Leslie A. Fiedler, Craig Fischer, Lucy Fischer, Krin Gabbard, Barry Keith Grant, Andrew Horton, Susan Hunt, Frank Krutnik, Marcia Landy, Peter Lehman, Shawn Levy, Dana Polan, Murray Pomerance, and J. P. Telotte.
- Sales Rank: #2023662 in Books
- Published on: 2002-11-01
- Released on: 2002-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .72" w x 6.00" l, .88 pounds
- Binding: Paperback
- 274 pages
Review
"These original, varied approaches are the heftiest appreciation of Lewis in English... Recommended."
-Booklist"A witty, provocative, and necessary re-evaluation of the phenomenon known as Jerry Lewis. I myself have loved and despised Jerry, often both at the same time; I needed this book to tell me why."
-David Cronenberg About the Author
Murray Pomerance is Chair of the Department of Sociology at Ryerson University, whose edited volumes include Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century, and Sugar, Spice and Everything Nice: Cinemas of Girlhood.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Will somebody please stand up the real Jerry Lewis?
By J. Russo
Books on the "king of comedy" are,unfortunately,few and far between.A much misunderstood,underappreciated and undeservedly maligned genius.I must also state that Lewis could sometimes (often?) be his own comedic "worst enemy" ,and his on-screen persona arguably worked best when he was directed BY someone other than himself (a'la Frank Tashlin).
But Lewis has always been a man who's failures are almost as fascinating as his triumphs.This book is a compendium of essays on the various facets of the Lewis persona--most of which are authoratative and fascinating.It comes highly recommended and every JL fan will want to read what it has to say.
7 of 11 people found the following review helpful.
Jerry Lewis: Comic genius gone terribly wrong
By Ingles
Lewis is a bewildering American talent: he is one of the best comedy directors around, was an amazingly original screen comic (we too easily forget that his character - the nerdy adolescent - was new when he invented him), was an excellent mime, an inventor (he invented several innovations still used in film), writer of much of his material, actor, singer, etc. He could easily have been remembered as being on the second tier of American film comics (along with Laurel and Hardy) though he aspired to be on the first tier with Chaplin and Keaton. So what went wrong? Why do people hold their nose when his name comes up (except in Europe)? Although his personality has become increasingly abrasive over the years and his screen character was not able to age gracefully (what comic personae does? Look at the abominable final films that Chaplin made!), it must be remembered that all of this is not Lewis' fault. He had a disastrous back injury (on live tv, no less) in the early sixties that gave him unbearable pain for years afterward and that led to his abuse of painkillers. That accident sapped most of his creative powers. It is terrible that so much of the good stuff that Lewis is responsible for has been forgotten. He deserves some objective reassessment. I hope someone will do this before he dies as he deserves to be recognized here in the USA as an important figure.
15 of 21 people found the following review helpful.
Jerry Lewis: Comic genius gone terribly wrong
By Ingles
Lewis is a bewildering American talent: he is one of the best comedy directors around, was an amazingly original screen comic (we too easily forget that his character - the nerdy adolescent - was new when he invented him), was an excellent mime, an inventor (he invented several innovations still used in film), writer of much of his material, actor, singer, etc. He could easily have been remembered as being on the second tier of American film comics (along with Laurel and Hardy) though he aspired to be on the first tier with Chaplin and Keaton. So what went wrong? Why do people hold their nose when his name comes up (except in Europe)? Although his personality has become increasingly abrasive over the years and his screen character was not able to age gracefully (what comic personae does? Look at the abominable final films that Chaplin made!), it must be remembered that all of this is not Lewis' fault. He had a disastrous back injury (on live tv, no less) in the early sixties that gave him unbearable pain for years afterward and that led to his abuse of painkillers. That accident sapped most of his creative powers. It is terrible that so much of the good stuff that Lewis is responsible for has been forgotten. He deserves some objective reassessment. I hope someone will do this before he dies as he deserves to be recognized here in the USA as an improtant figure.
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