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Yoga. Humanistic Psychology. Meditation. Holistic Healing. These practices are commonplace today. Yet before the early 1960s they were atypical options for most people outside of the upper class or small groups of educated spiritual seekers.

Esalen Institute, a retreat for spiritual and personal growth in Big Sur, California, played a pioneering role in popularizing quests for self-transformation and personalized spirituality. This “soul rush” spread quickly throughout the United States as the Institute made ordinary people aware of hundreds of ways to select, combine, and revise their beliefs about the sacred and to explore diverse mystical experiences. Millions of Americans now identify themselves as spiritual, not religious, because Esalen paved the way for them to explore spirituality without affiliating with established denominations

The American Soul Rush explores the concept of spiritual privilege and Esalen’s foundational influence on the growth and spread of diverse spiritual practices that affirm individuals’ self-worth and possibilities for positive personal change. The book also describes the people, narratives, and relationships at the Institute that produced persistent, almost accidental inequalities in order to illuminate the ways that gender is central to religion and spirituality in most contexts.

• Sales Rank: #1410461 in Books
• Published on: 2012-01-01
• Released on: 2012-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .63" w x 5.98" l, .96 pounds
• Binding: Hardcover
• 219 pages

Review
"Goldman's greatest contribution in The American Soul Rush is to remind us that it is not a coincidence that wealthy enclaves like Marin County have become meccas for seekers interested in Buddhist meditation and other techniques designed to foster "higher consciousness."-Don Latten,SF Gate

"With a particular focus on the exclusion of women and working-class participants, Goldman successfully illuminates the gap between the Esalen ideal and the actuality of spiritual democracy.  Resisting the urge to romanticize or caustically dismiss Esalen and its inclusive bricolage spirituality, Goldman has produced a meticulously researched and accessible text that is recommended for classes on American religion, sociology of religion, and new religious movements.”-Religious Studies Review

"Goldman conducted in-depth interviews with former Esalen participants and founders..." -Publishers Weekly

"Goldman's study is the first book to take a hard look at how issues of social class and male chauvinism have influenced the governance and direction of this seminal institution....Goldman's greatest contribution in The American Soul Rush is to remind us that it is not a coincidence that wealthy enclaves like Marin County have become meccas for seekers interested in Buddhist meditation and other techniques designed to foster 'higher consciousness.'" -San Francisco Chronicle

"Based on careful and thorough research of archival files, oral accounts, legal and financial records, and unpublished manuscripts, newspaper and magazine articles, field notes, and scholarly writing, American Soul Rush is an important addition to the Qualitative Studies in Religion series as well as our understanding of Esalen specifically....For students of American religion and culture as well as unaffiliated spiritual seekers curious about their contemporary roots, Goldman's book is a must read."-Linda Sargent Wood,Nova Religio

“Finally, a reliable, insightful, and very entertaining revelation of goings on at the front of California spirituality."-Rodney Stark, Co-Director, Institute for Studies of Religion, Baylor University

“Sure to become a standard work on the evolution of Esalen and the spiritual counterculture of North America in the decades following World War II. Goldman demonstrates clearly the influence of Esalen and its participants far beyond Big Sur.”-Douglas Cowan, Renison University College, Waterloo, Ontario

"This book is a useful introduction to these issues and to the work of Walter Truett Anderson, who created archival resources on which Goldman depends...Recommended [for] lower-division undergraduates and above, [and] general readers."-CHOICE

About the Author
Marion Goldman is Professor of Sociology and Religious Studies at the University of Oregon. Her many books include Passionate Journeys: Why Successful Women Joined a Cult.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Insight into Esalen's influence .....
By N. Rubin
I have lived in the Bay Area for decades, attended lectures by Esalen's leaders, taken yoga, and meditated. Before reading this book, I never connected the dots between the Institute and American spirituality. Goldman does not offer a complete picture of Esalen because she focuses on its wider impact. Some of the academic language is a little rocky, but it's definitely worth the trek.

Highly recommended!!

1 of 1 people found the following review helpful.
An interesting read
By Bob
Goldman's book gave me an insider's view of what was going on inside Esalen - with her stories and narratives - but analyzed the growth of the Institute from a critical perspective. I appreciated her focus on women at the Institute - how they were powerful forces of change, but did not necessarily have the same spiritual privilege as some of the male founding members.

Esalen has grown and changed over the years, and Goldman provides a solid understanding of where Esalen started from, especially in regards to the shaping and reshaping of gender roles.

Goldman's book is easy to understand and well-researched, and her evidence is rooted in the community itself. I like that. The stories about Dick and Michael were funny and interesting, and gave me a better understanding of the Esalen community.

0 of 0 people found the following review helpful.
Great intellectual reading
By gooddar
This book captures essential element of current society . For those familiar with the Eslan movement its even more interesting. Be sure to read it! Marion Goldman is a wonderful writer.

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The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing.

Enfant Terrible! Jerry Lewis in American Film is the first comprehensive collection devoted to one of the most controversial and accomplished figures in twentieth-century American cinema. A veteran of virtually every form of show business, Lewis's performances onscreen and the motion pictures he has directed reveal significant filmmaking talents, and show him to be what he has called himself, a "total filmmaker." Yet his work has been frequently derided by American critics.

This book challenges that easy reading by taking a more careful look at Lewis's considerable body of work onscreen in 16 diverse and penetrating essays. Turning to such films asThe Nutty Professor, The Ladies Man, The King of Comedy, The Delicate Delinquent, Living It Up, The Errand Boy, The Disorderly Orderly, Arizona Dream, and The Geisha Boy, the contributors address topics ranging from Lewis's on- and offscreen performances, the representations of disability in his films, and the European obsession with Lewis, to his relationship with Dean Martin and Lewis's masculinity. Far from an out of control hysteric, Enfant Terrible! instead reveals Jerry Lewis to be a meticulous master of performance with a keen sense of American culture and the contemporary world.

Contributors include: Mikita Brottman, Scott Bukatman, David Desser, Leslie A. Fiedler, Craig Fischer, Lucy Fischer, Krin Gabbard, Barry Keith Grant, Andrew Horton, Susan Hunt, Frank Krutnik, Marcia Landy, Peter Lehman, Shawn Levy, Dana Polan, Murray Pomerance, and J. P. Telotte.

• Sales Rank: #2023662 in Books
• Published on: 2002-11-01
• Released on: 2002-11-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .72" w x 6.00" l, .88 pounds
• Binding: Paperback
• 274 pages

Review

"These original, varied approaches are the heftiest appreciation of Lewis in English... Recommended."

-Booklist

"A witty, provocative, and necessary re-evaluation of the phenomenon known as Jerry Lewis. I myself have loved and despised Jerry, often both at the same time; I needed this book to tell me why."

-David Cronenberg

About the Author

Murray Pomerance is Chair of the Department of Sociology at Ryerson University, whose edited volumes include Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century, and Sugar, Spice and Everything Nice: Cinemas of Girlhood.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Will somebody please stand up the real Jerry Lewis?
By J. Russo
Books on the "king of comedy" are,unfortunately,few and far between.A much misunderstood,underappreciated and undeservedly maligned genius.I must also state that Lewis could sometimes (often?) be his own comedic "worst enemy" ,and his on-screen persona arguably worked best when he was directed BY someone other than himself (a'la Frank Tashlin).
But Lewis has always been a man who's failures are almost as fascinating as his triumphs.This book is a compendium of essays on the various facets of the Lewis persona--most of which are authoratative and fascinating.It comes highly recommended and every JL fan will want to read what it has to say.

7 of 11 people found the following review helpful.
Jerry Lewis: Comic genius gone terribly wrong
By Ingles
Lewis is a bewildering American talent: he is one of the best comedy directors around, was an amazingly original screen comic (we too easily forget that his character - the nerdy adolescent - was new when he invented him), was an excellent mime, an inventor (he invented several innovations still used in film), writer of much of his material, actor, singer, etc. He could easily have been remembered as being on the second tier of American film comics (along with Laurel and Hardy) though he aspired to be on the first tier with Chaplin and Keaton. So what went wrong? Why do people hold their nose when his name comes up (except in Europe)? Although his personality has become increasingly abrasive over the years and his screen character was not able to age gracefully (what comic personae does? Look at the abominable final films that Chaplin made!), it must be remembered that all of this is not Lewis' fault. He had a disastrous back injury (on live tv, no less) in the early sixties that gave him unbearable pain for years afterward and that led to his abuse of painkillers. That accident sapped most of his creative powers. It is terrible that so much of the good stuff that Lewis is responsible for has been forgotten. He deserves some objective reassessment. I hope someone will do this before he dies as he deserves to be recognized here in the USA as an important figure.

15 of 21 people found the following review helpful.
Jerry Lewis: Comic genius gone terribly wrong
By Ingles
Lewis is a bewildering American talent: he is one of the best comedy directors around, was an amazingly original screen comic (we too easily forget that his character - the nerdy adolescent - was new when he invented him), was an excellent mime, an inventor (he invented several innovations still used in film), writer of much of his material, actor, singer, etc. He could easily have been remembered as being on the second tier of American film comics (along with Laurel and Hardy) though he aspired to be on the first tier with Chaplin and Keaton. So what went wrong? Why do people hold their nose when his name comes up (except in Europe)? Although his personality has become increasingly abrasive over the years and his screen character was not able to age gracefully (what comic personae does? Look at the abominable final films that Chaplin made!), it must be remembered that all of this is not Lewis' fault. He had a disastrous back injury (on live tv, no less) in the early sixties that gave him unbearable pain for years afterward and that led to his abuse of painkillers. That accident sapped most of his creative powers. It is terrible that so much of the good stuff that Lewis is responsible for has been forgotten. He deserves some objective reassessment. I hope someone will do this before he dies as he deserves to be recognized here in the USA as an improtant figure.

See all 6 customer reviews...

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Survivor. The Bachelor. Extreme Makeover. Big Brother. Joe Millionaire. American Idol. The Osbournes. It is virtually impossible to turn on a television without coming across some sort of reality programming. Yet, while this genre has rapidly moved from the fringes of television culture to its lucrative core, critical attention has not kept pace.

Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family, Cops, and The Real World to the most recent crop of reality programs, Reality TV is the first book to address the economic, visual, cultural, and audience dimensions of reality television. The essays provide a complex and comprehensive picture of how and why this genre emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals. Topics range from the construction of televisual "reality" to the changing face of criminal violence on TV, to issues of surveillance, taste, and social control.

By spanning reality television's origins in the late 1940s to its current overwhelming popularity, Reality TV demonstrates both the tenacity of the format and its enduring ability to speak to our changing political and social desires and anxieties.

Contributors include: Nick Couldry, Mary Beth Haralovich, John Hartley, Chuck Kleinhans, Derek Kompare, Jon Kraszewski, Kathleen LeBesco, Justin Lewis, Ted Magder, Jennifer Maher, Anna McCarthy, Rick Morris, Chad Raphael, Elayne Rapping, Jeffrey Sconce, Michael W. Trosset, Pamela Wilson.

• Sales Rank: #3088162 in Books
• Brand: Brand: NYU Press
• Published on: 2004-04-01
• Released on: 2004-04-01
• Original language: English
• Number of items: 1
• Dimensions: .88" h x 6.08" w x 8.82" l,
• Binding: Paperback
• 358 pages

Features

• Used Book in Good Condition

Review

"Offers the most insightful and significant scholarly analysis to date of the changes taking place in the economic "globalization" of television production. A delight to read, laced with wit and humor."

-Choice

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"The book explores the genre's institutional and sociopolitical development, its place in the cultural landscape, and how it serves as a source of meaning and pleasure."

-NYU Today

"Since reality television began to flood TV screens, we've had to deal with another phenomenon: a renewed debate about what is 'fun' versus what is 'good for you.' The essays in this volume enlighten that discussion and take us beyond it. They provide both the record of a strange moment in history and a contribution to contemporary cultural politics."

-Toby Miller,editor of Television & New Media

About the Author

Susan Murray is Associate Professor of Media, Culture and Communication at New York University. She is the author of Hitch Your Antenna to the Stars: Early Television and Broadcast Stardom.

Laurie Ouellette is Associate Professor in the Department of Communication Studies at the University of Minnesota, Twin-Cities. She is author (with James Hay) of Better Living through Reality TV and of Viewers Like You? How Public TV Failed the People.

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17 of 18 people found the following review helpful.
An anthology of essays by learned authors
By Midwest Book Review
Reality TV: Remaking Television Culture is an anthology of essays by learned authors exploring the popular culture phenomenon of "Reality TV" that has redefined entertainment, particularly in the twenty-first century. From hybrid blends of documentary and reality TV, to ubiquitous court TV shows, demographics of those who follow reality TV, webcasting, the profound impact of "Survivor", and more, Reality TV: Remaking Television Culture explores avenues with scholarly depth and attention to detail. An index allows for quick research in this groundbreaking cultural expose recommended especially for academic libraries.

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We are all fans. Whether we log on to Web sites to scrutinize the latest plot turns in Lost, “stalk” our favorite celebrities on Gawker, attend gaming conventions, or simply wait with bated breath for the newest Harry Potter novel—each of us is a fan. Fandom extends beyond television and film to literature, opera, sports, and pop music, and encompasses both high and low culture.

Fandom brings together leading scholars to examine fans, their practices, and their favorite texts. This unparalleled selection of original essays examines instances across the spectrum of modern cultural consumption from Karl Marx to Paris Hilton, Buffy the Vampire Slayer to backyard wrestling, Bach fugues to Bollywood cinema¸ and nineteenth-century concert halls to computer gaming. Contributors examine fans of high cultural texts and genres, the spaces of fandom, fandom around the globe, the impact of new technologies on fandom, and the legal and historical contexts of fan activity. Fandom is key to understanding modern life in our increasingly mediated and globalized world.

• Sales Rank: #513751 in Books
• Brand: Brand: NYU Press
• Published on: 2007-06-01
• Released on: 2007-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.04" w x 6.00" l, 1.22 pounds
• Binding: Paperback
• 412 pages

Features

• Used Book in Good Condition

Review

“Fandom explores the multidimensional aspects of the fascination, enthrallment, obsession that fans have with their various interests.”

-Journal of Mass Communication Quarterly

“One of the best aspects of the text is the way that the contributors do not merely typecast fans as those interested in modern and popular culture, but also examine fans of mediums typically considered ‘high culture.’ This makes the book much friendlier to pop-culture fans, whose practices are typically considered lowbrow and fanatical when compared to someone who holds season tickets to the opera or visits an art gallery every weekend. As a fan, it’s nice to see that the behavior is not reduced to unnecessary fanaticism and is examined on a more subjective level.”
-M/C Reviews

“Thought-provoking. . . . Well-selected and challenging collection.”
-Screen

“Fandom pushes the boundaries of fan studies in bold directions, incorporating high culture fandoms, global fan cultures, fan technologies, and antagonistic anti-fandom, while rethinking the core tenets of fan studies concerning aesthetics, place, intellectual property, and interpretive communities—all presented with a lively, accessible, and engaging writing style.”

-Jason Mittell,Middlebury College

“Highly recommended.”
-Choice

About the Author

Jonathan Gray is Associate Professor of Media and Cultural Studies at the University of Wisconsin, Madison. He is the author of Television Entertainment and Watching with The Simpsons: Television, Parody, and Intertextuality and co-editor of Satire TV: Politics and Comedy in the Post-Network Era and Fandom: Identities and Communities in a Mediated World.

C. Lee Harrington is Professor of Sociology at Miami University in Oxford, Ohio. In addition to her books with Denise Bielby, she is co-editor (with Jonathan Gray and Cornel Sandvoss) of Fandom: Identities and Communities in a Mediated World (NYU Press, 2007).

Cornel Sandvoss is Subject Leader in Media, Communication and Cultural Studies at the University of Surrey and author of Fans: The Mirror of Consumption.

Most helpful customer reviews

11 of 13 people found the following review helpful.
Engaging and fun
By J. Aragon
I found this book on the new books shelf at the university library. It's a cross between a media studies/cultural studies expose of the study of fan culture. The different chapters in the anthology cover different genres tv shows (Sopranos), women in violent movies (_Kill Bill_) and the aesthetics of fandom.

The book was well-written, researched, and entertaining. I ate up this book and this says lots since I'm really in research and teaching mode. This book will be best served by a lay audience who is already interested in popular culture, media studies, communication, etc. A university audience will also find this book interesting in various courses in the humanities and social sciences.

I can't decide which chapter was my favourite---they were all great. But, I do think the Into, Sopranos, and Kill Bill chapters were the highlights for me.

3 of 3 people found the following review helpful.
Non-conventional pop culture studies
By Taylor Ellwood
This is a collection of essays on pop culture studies, circa 2006, so some of the content is a bit dated, but all of it is interesting to read. However, one thing which stands out to me about this book is that many of the essays never really focused on identity in relationship to pop culture. I mention that only because I'd hoped to see more focus on that topic, and of course its in the title of the book. However what I did like about the book is that a number of essays focused on non-traditional fandom, with a focus on classical music, sports, and news fans, among other types, which made for some thought provoking reading. If you're interested in pop culture studies, or like me if you want to see what you can apply conceptually to practice based approaches to life, this book may provide some useful insights.

0 of 0 people found the following review helpful.
Useful content for fan scholars but the Kindle version is clumsy.
By Vee Ef
My star rating reflects not the book's content, which is a really good collection of diverse fan criticisms and their approaches, but the version available on Kindle. There are no page numbers, rather citation relies on the clumsy Kindle location numbers. For a book whose primary purpose seems to be for scholarship, this is a frustrating issue.

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@ Free Ebook Highway under the Hudson: A History of the Holland Tunnel, by Robert W. Jackson

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Choice's Outstanding Academic Title list for 2013 

 "There is no comparable book on this tunnel. Highly recommended."—Choice Reviews  Every year, more than thirty-three million vehicles traverse the Holland Tunnel, making their way to and from Jersey City and Lower Manhattan. From tourists to commuters, many cross the tunnel's 1.6-mile corridor on a daily basis, and yet few know much about this amazing feat of early 20th-century engineering. How was it built, by whom, and at what cost? These and many other questions are answered in Highway Under the Hudson: A History of the Holland Tunnel, Robert W. Jackson's fascinating story about this seminal structure in the history of urban transportation.

Jackson explains the economic forces which led to the need for the tunnel, and details the extraordinary political and social politicking that took place on both sides of the Hudson River to finally enable its construction. He also introduces us to important figures in the tunnel's history, such as New Jersey Governor Walter E. Edge, who, more than anyone else, made the dream of a tunnel a reality and George Washington Goethals (builder of the Panama Canal and namesake of the Goethals Bridge), the first chief engineer of the project.

Fully illustrated with more than 50 beautiful archival photographs and drawings, Jackson's story of the Holland Tunnel is one of great human drama, with heroes and villains, that illustrates how great things are accomplished, and at what price.

Highway Under the Hudson featured in the New York Times

Listen to Robert Jackson talk about the book on WAMC Radio

• Sales Rank: #1177619 in Books
• Published on: 2011-12-01
• Released on: 2011-12-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .81" w x 5.98" l, 1.37 pounds
• Binding: Hardcover
• 304 pages

Review
"Robert Jackson spent three-and-a-half years compiling a complete history on [the Holland Tunnel]...[he] delves into not only the history of this famous tunnel but the drama behind its construction, the people involved and the unique engineering that took place."-Linnea Covington,Our Town

"His vivid account features a colorful cast of characters...An important work chronicling a largely unsung American engineering feat...it remains a compelling story that serves as a dramatic reminder that government can accomplish great things that the private sector cannot."-Library Journal

"Jackson's history of the tunnel is a meticulous study of politics and technology, drawn from manuscript collections and extensive public documents."- Journal of American History

"There is no comparable book on this tunnel. Highly recommended."-D. Brand,CHOICE

“Written in a clear, engaging style, Highway under the Hudson exposes the complex social, political, and technological forces that converged in the construction of the Holland Tunnel.  Equally adept at unraveling political machinations, visualizing and describing engineering techniques, portraying the dangerous working conditions of the "sandhogs" who dug the tunnel, and evoking the personalities of those who planned, financed, and engineered the project, Robert W. Jackson contributes an essential chapter in the history of New York City's infrastructure.” -Jeffrey L. Meikle,Professor of American Studies, University of Texas at Austin

“Robert Jackson has given us a terrific story—replete with important engineering challenges and men who braved the odds—and sometimes died—in building the Holland Tunnel.” -Jameson W. Doig,Research Professor in Government, Dartmouth College; author of "Empire on the Hudson"

"...Jackson's work is an exemplary tale of interstate political alliances, environmental technology, and sandhog worker culture." -Michael J. Conrad, New York History

"Jackson has excavated a vast amount of information, bringing this authoritative history of a ground-breaking tunnel to life." -Publishers Weekly

"Historian Jackson provides an excellent history of the Holland Tunnel's politics and planning, 1906-20; its construction, 1920-27; and its operations in the 1930s-40s. He describes in detail the self-serving politics and corruption, particularly of New Jersey's tunnel commissioners in the 1910s-20s... The volume includes photographs of politicians, engineers, and construction, but no tables. The references, bibliography, and index are excellent. There is no comparable book on this tunnel. Summing Up: Highly recommended."-Choice Reviews

“Highway under the Hudson tells a truly engaging story about a great engineering project....Robert Jackson has skillfully captured the political intrigue, technological challenge, and human drama associated with turning a dream into a reality.” -Henry Petroski,A.S.Vesic Civil Engineering Prof.,History Prof., Duke University; author of "The Essential Engineer"

“Robert Jackson has written a scholarly work. It explores human motivation, design ingenuity, dedication, sacrifice, and, ultimately, the imperfection of our human vision.” -Dario A. Gasparini,Professor of Civil Engineering, Case Western Reserve University

"When the Holland Tunnel opened in 1927, it was the world’s longest and largest vehicular tunnel and was distinguished by an innovative ventilation system. Until then, vehicles were ferried across the Hudson and were subject to the vicissitudes of ice and fog. In Highway under the Hudson: A History of the Holland Tunnel, Robert W. Jackson explores the tortured bistate bureaucratic and political prelude to the construction of the 1.6-mile underwater corridor, which, by the way, was named not for the region’s Dutch roots, but for the project’s first chief engineer, Clifford Holland of Brooklyn, who died at 41 of heart failure in a sanitarium while undergoing a tonsillectomy."-The New York Times

About the Author
Robert W. Jackson is an urban planner and historian, and previously served as a historian for the Historic American Engineering Record, National Park Service, where he documented historic bridges and highways in Texas, Iowa and Pennsylvania. He holds a PhD in American Civilization from University of Texas, and is the author of Rails across the Mississippi: A History of the St. Louis Bridge. He currently lives in Austin, Texas.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Good but not thrilling
By Carlos
Fabulous reseach work, but half of the book is spent in describing the political bickering, financing conflicts, and personal interests at stake, with a level of detail that makes it boring.
I would have preferred more of the book devoted to the fascinating engineering aspects, more graphics, a better visual explanation on how the "caisson" building system works, and "sanhogs" anecdotes. A more journalistic approach.
The coal famine and the 1949 fire are the best chapters.

3 of 4 people found the following review helpful.
Informative, and focused on people
By Joe McMahon
This account of New York's Holland Tunnel extends from the need to supplement haulage by ferries and barges to the recent prohibition of eastbound truck passage. Author Robert Jackson relates well our city's 1917-1918 winter coal shortage, the choices of tunnel construction, the work itself and the following eight decades.
I thank the author for emphasizing people. We meet Governor Walter Edge, George Goethals, T. Albeus Adams, Frank Hague, Engineer Clifford Holland, his successors Milton Freeman, and Ole Singstad. One might say that Holland and Freeman died from their intense concern for the project. Jackson relates how others unfortunately lost their lives: Philip Healy by drowning. Steve Roizek by falling from a scaffold, Joseph Richard, falling down a shaft, G. J. Slade, tending an air lock, Dennis Sullivan, toppling sixty feet when a handrail gave way, in addition to sandhogs who suffered grievously from the bends.
Clifford Holland received his job appointment in 1919. He died October 27, 1924, two days before crews holed through the north tube.
The planning of the 1920's may now be seen in the wise separation of the Manhattan tunnel entrance at Broome Street from the exit alongside Canal Street, the four ventilation towers, two on land, two at water's edge, and the wide Jersey City approach. The New Jersey scene has changed much since 1950. Condos, yacht basins, a shopping mall, and "big box" stores replace the Erie and Pennsylvania freight yards.
The Hudson-Bergen Light Rail on its trestle offers a panoramic view of land and river, but walks will lead one to interesting pre-tunnel homes, churches, and buildings on both shores.

0 of 0 people found the following review helpful.
A History of the construction of the Holland Tunnel
By Bernard W. Martin
An important history of one of the vehicle tunnels under the Hudson River. Every engineer and New Yorker ought to read this very important infrastructure that managed to increase employment from New Jersey.

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^^ PDF Ebook Boricua Literature: A Literary History of the Puerto Rican Diaspora, by Lisa M. Sanchez Gonzalez

PDF Ebook Boricua Literature: A Literary History of the Puerto Rican Diaspora, by Lisa M. Sanchez Gonzalez

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Boricua Literature: A Literary History of the Puerto Rican Diaspora, by Lisa M. Sanchez Gonzalez

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Since the invasion and colonization of Puerto Rico in 1898, all Puerto Ricans are both American citizens and colonial subjects by birth according to international law. Over a third of this population currently lives in the continental U.S. forming one of the nation's most significant "minority" communities. Yet no complete study of mainland Puerto Rican—or Boricua—literature has been written.

Until now. Boricua Literature is the first literary history of the Puerto Rican colonial diaspora.

The result of a decade of research in archives and special collections in the Caribbean and in the U.S., Lisa Sánchez González argues that the writing of the Puerto Rican diaspora should be considered an integral field of study. Covering 100 years of Boricua literary history, each chapter looks at the single writer or group of writers who are most emblematic of their respective generation, from William Carlos Williams and Arturo Schomburg, to latina feminism and salsa music. The story of an American community of color, Boricua Literature is also about contemporary critical race and gender studies.

Unlike virtually all studies concerning mainland Puerto Rican writing, Lisa Sánchez González is less concerned with "cultural identity" than with unearthing a substantive cultural intellectual history. The first explicitly literary historical analysis of Boricua Literature, this definitive study proposes a new and discreet area of literary historical research in American studies.

• Sales Rank: #1918236 in Books
• Color: Multicolor
• Brand: Brand: NYU Press
• Published on: 2001-01-01
• Released on: 2001-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .57" w x 6.13" l, .68 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

Review

"Lisa Sanchez Gonzalez's Boricua Literature is the first literary history of the Puerto Rican colonial diaspora, but it is also much more."

-American Literature

"Sanchez Gonzalez's provacative study Boricua Literature: A Literary History of the Puerto Rican Diaspora intensely focuses on a geographically and culturally specific literary evolution by Puerto Ricans who emigrated to the east coastof the United States, a movement spanning most of the 20th century."—Centro Journal

-

"Sanchez-Gonzales presents a panorama of the writing produced by Puerto Rican Americans over the last 100 years. . . . Highly recommended."

-Choice

About the Author

Lisa Sánchez González is assistant professor English at the University of Texas at Austin. She also produces community-based news and public affairs programs for public radio.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Raw and Cooked!
By Kamran Afary
Like its provocative cover --Basquiat's "Arroz con Pollo"-- this book is a rare combination of "the raw" and "the cooked." It navigates a treacherous and booby-trapped passage through the entire 20th century to the birth of a distinct Boricuan literary tradition!
Boricua Literature highlights the literary creativity of Puerto Ricans living in the mainland United States. The author focuses on recuperating "minor literature" by Boricua writers who often fall and disappear into the cracks between disciplinary boundaries and too-rigidly defined cultural and political spaces. She offers useful insights into contemporary cultural studies, focusing especially on gender and race.
Reading Boricua Literature introduced me to several remarkable literary figures, and the approach in the book was a colorful quilt of critical concepts. The way the author challenges political orthodoxies and literary canons without dismissing scholarly rigor is edifying. Sanchez-Gonzalez' style reminds one of Zora Neale Hurston's famous phrase "going a piece of the way with them," i.e. not "all the way" uncritically.
Each chapter spends a good deal of time reframing and re-negotiating theories and identities with sharp feminist and critical race questions. The author bestows on Luisa Capetillo --a turn of the 20th Century anarcho-feminist writer-activist-- the position of The founder of Boricua Literary tradition. In another chapter, Sanchez-Gonzalez recuperates children's stories written by Pure Belpre, a librarian at the New York Public Library, whose work on behalf of children remains alive in libraries throughout the U.S. today. One chapter is on Salsa lyrics and performances by Boricuas at the end of the 20th century where tropes in performance theory are utilized for analysis of lyrics. At the same time, the book focuses on more canonical figures such as Arturo Schomburg and William Carlos Williams. Sanchez-Gonzalez argues that scholars have often erased the Boricua formative experiences of these major intellectuals. Shomburg is known for his great achievements in establishing the most prestigious archives of Black history in New York. Moreover, William Carlos Williams is rarely read or studied as a Latino or Boricua poet. Anyone who knows James Clifford's admirable essay "Pure Products go Crazy," in Predicament of Culture, will be very surprised to read Sanchez's critique leveled against Clifford in this book! Students and writers of other diasporic communities in the United States, whose distinct literary and cultural production --performances, poetry, music, and fiction-- have not received proper attention as a discrete area, will find this book invaluable. It is well crafted, theoretically dense, yet impassioned and non-elitist.
But for the most part, it is satisfying to read a critical history of the not-so "minor literature" --indeed formidable literature-- of diasporic Puerto Rican artists and intellectuals. Their role in shaping the literary history of United States is not appreciated, and their works are still viable today. Boricua Literature re-acquaints us with these neglected writers-artists so we can better catch their drift!

0 of 0 people found the following review helpful.
Five Stars
By Maya G.
Nice.

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The acceleration of economic globalization and the rapid global flows of people, culture, and information have intensified the importance of developing transnational understandings of contemporary issues. Transnational feminist perspectives have provided a unique outlook on women’s lives and have deepened our understanding of the gendered nature of global processes. Transnational Feminism in the United States examines how transnational perspectives shape the ways in which we create and disseminate knowledge about the world within the United States, and how the paradigm of transnational feminism is affected by national narratives and public discourses within the country itself.  An innovative theoretical project that is both deconstructive and constructive, this bookinterrogates the limits of feminist thought, primarily through case studies that illustrate its power to create new fields of research out of traditionally interdisciplinary lines of inquiry. Leela Fernandes discusses ways to approach, analyze, and capture processes that exceed and unsettle the nation-state within the transnational feminist paradigm. Examining the links between power and knowledge that bind interdisciplinary theory and research, she shines new light on issues such as human rights as well as academic debates about transnational feminist perspectives on global issues. A thought-provoking analysis, Transnational Feminism in the United States powerfully contributes to the field of Women’s Studies and related cross-disciplinary scholarship on feminist theory and gender from a global perspective.

• Sales Rank: #769430 in Books
• Brand: Brand: NYU Press
• Published on: 2013-03-11
• Released on: 2013-03-11
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .64" w x 6.00" l, .85 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

Review
"Through this collection's five loosely connected essays...full of provocative arguments, Fernandes offers a cautionary analysis of the trajectory of 'transnational feminism' in women's studies in the U.S. academy." -WSQ: Women's Studies Quarterly

“With a clear introduction that offers each chapter’s argument, this text is simultaneously challenging and approachable. It is accessible for specific purposes, as each essay can stand alone. The arguments are clearly and systematically laid out in this thoroughly research and articulate text.”
-, Journal of American Culture

"Leela Fernandes focuses a sharp analytic lens on the representational practices, cross-border politics, and symbolic constructions of transnationalism within U.S. feminism. Her call for accountability and interrogation of feminist knowledge production is one that should be heard by all those interested in challenging inequalities and resisting disciplining tendencies within transnational feminist praxis."-Nancy Naples,author of Grassroots Warriors: Activist Mothering, Community Work, and the War on Poverty

"Unveiling the reproduction of the national in the transnational and the disciplining of interdisciplinarity, Fernandes deftly illustrates the minefields that women's and gender studies, postcolonial, and other interdisciplinary scholars traverse as they seek to produce transformative knowledge. Transnational Feminism in the United States is essential reading, ushering us into a more ethical practice of feminism and politics." -Nikol G. Alexander-Floyd,author of Gender, Race, and Nationalism in Contemporary Black Politics

About the Author
Leela Fernandes is Professor of Women’s Studies and Political Science at the University of Michigan, and author of India’s New Middle Class: Democratic Politics in an Era of Economic Reform; Producing Workers: The Politics of Gender, Class and Culture in the Calcutta Jute Mills; and Transforming Feminist Practice.

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